Dressed in glazes of rusty, fallen Autumn leaves—with just a glint of metallic golden-bronze—this French Art Nouveau ceramic covered pot is animated with organic bas relief botanical elements: swaying leaves and twigs. It's the perfect size for keeping something special, perhaps those souvenir ticket stubs from flights to cherished holidays. Or something more mundane, like collar stays, cotton swabs or potpourri. The covered pot was made by Denbac around 1910.
October is here! And with it comes the marigold—birth flower for the month of October.
Marigolds originated in Mexico and eventually spread South into Central and South America. This pungently-scented plant has been used medicinally, sometimes drunk as a tea, and it is also employed as a culinary herb. In South Asia, marigolds are used decoratively—strung into garlands or arranged as a carpet—for celebrations and Hindu religious ceremonies.
Over many years, the marigold has been developed into an easy-to-grow garden plant. Its fragrance, which some find unpleasant, is repellant to certain insects (thus marigolds are sometimes planted alongside other plants which require protection from infestation). And many varieties of marigolds have been produced by specialist gardeners.
Amongst the delights of urban home ownership is contending with the wildlife—wildlife which one would think should be living somewhere else (perhaps in a forest). Crows select their urban Winter night roosts every October (and you should hope that that tree is not in your yard . . . or over your car). Deer mow-down any tender shoot as it struggles to break-free of the ground. And the squirrels work all day, every day, to get into (and empty) your wild birdseed feeder. Despite these realities, crows, deer and squirrels all make wonderful decorative subjects in one's home. The squirrel on the stoneware ceramic plaque, shown above, is sculpted in perfect bas relief—from the tense hunch of its back to...
Arts & Crafts movements—around the world—sought to "revive" (or "pay homage to") the ancient cultures, histories, art or literature of their particular countries. It was a way of "going back to the older, better times" which haunted the memories of contemporary people. The Brits referenced Medieval literary figures in their Arts & Crafts creations: knights, maidens, monarchs and heraldry. The Germans revived their Gothic folklore and fairy tales. The Celts restored their ancient, Viking-inspired decorative elements (knots, crosses, dragons and hearts). While in America, Arts & Crafts designers paid homage to the ancient, native cultures which populated the country before the arrival of Europeans: Native Americans.
Like a misty, autumnal tree scape, the Impressionistic decoration on this Arts & Crafts style ceramic plate provides a moment of calm. Though I do not know where it was made (or when), I enjoy looking at it. The organic green gazing on the rim is especially handsome. It bleeds gently into the landscape, providing a strong but soft framing for the image.
Autumn leaves are the surest (visual) sign of the Fall season. Hilltops blush—first with a tinge, then with a flame of color. Sidewalks, eventually, are blanketed with crispy, desiccated leaves. Before long, the skeletal "arms" of trees—trunks, branches, twigs—will lay bare against the silvery winter sky. It's all part of the seasonal cycle of trees, and their leaves, which reminds us that the year moves-on, with or without our consent. But not to worry; the soft green buds of spring will be back in a matter of months. And the whole cycle will begin again.
This morning at 2:50 Eastern Daylight Time, the Earth will undergo the Autumnal Equinox. The Earth spins on an axis which runs through the center of the Earth, from the North Pole to the South Pole. This imaginary "stick," on which the Earth spins, tilts toward and then away from the Sun over the course of its annual cycle. When the Northern Hemisphere of the Earth is tilting toward the Sun (as it does during the Spring and Summer), the days in the North are longer and warmer. When the Northern Hemisphere of the Earth leans away from the Sun (as it does during the Autumn and Winter), the days in the North are shorter and colder. This cycle of...
By now the kids (small and big) are back-at-school. These days, "hitting the books" may be an obsolete phrase. But it shouldn't be. All the best people love and collect books, don't they? And, I don't mind adding, the cream of that crop of booklovers also need lots of bookends! Shown above, a pair of Arts & Crafts ceramic bookends made by R. Guy Cowan of Cowan Pottery. They portray a sculpted monk bent over his tome. The piece is glazed in a wonderful, organic dark green. The Cowan workshop was opened in 1912 in Lakewood, Ohio. Initially, most of the production designs were the work of Cowan himself. The studio closed temporarily while Cowan was serving in World...
The Minoan Civilization—centered on the Mediterranean island of Crete—is considered the first civilization in Europe, which coalesced some 5,000 years ago. Around 1450 BC, they came under the domination of the Mycenaeans (Ancient Greeks) and a hybrid culture developed. But the art and society of the Minoans (as can be seen at the Palace of Knossos) was lively, energetic and wonderful. The island boasts a small but terrific museum. The vase above, made in Art Nouveau Belgium by potter Antoine DuBois, is inspired by ancient ceramics such as those found in Crete. A Minoan or Greek-inspired lion leaps beneath a band of Greek Key fretwork. On the reverse, a Greek stylized palm leaf can be found, similar to those found...
We're sharing selections from our collection of art pottery, now in-stock at LEO Design, which reminds us of the Summer: the sea, the sky. This English Art Deco piece, made by Beswick in the Thirties, is a delicious combination of aqua glaze, topped with sponged-on cornflower "tendrils." The bright, optimistic coloration can only mean Summer. And the form—reminiscent of a fat penguin—adds to the piece's happy mien. It's large enough to make a statement on its own. It would also look wonderful anchoring a collection of aqueous ceramic vessels.
The Summer ends six weeks from today—on Saturday 23 September. While six weeks of Summer sounds like a good, long time, in fact, the kids will be heading back to school in a matter of days (if they're not in-class already). The snap of Autumn (along with apples, sweaters and pumpkin spice) will be with us before you know it. So, let's bask in the glory of Summer warmth for a few more days. This impressive West German Modernist vase is tall, topped with four "strap-ring" handles, and is dressed in a foamy, aqueous glaze—like turquoise seawater churned with traces of foam. Its bright, optimistic color certainly reminds me of Summer. Perhaps it will take us back to those wonderful,...
In the world of design and aesthetics, rarely is anything truly new. Designers, staring at their empty sketchbooks (and, perhaps on-deadline) have been "borrowing" other artists' good ideas since the Mesopotamians (and maybe before that). And this is not a bad thing. In my book, novelty is never as important as taste, beauty and craftsmanship. Appropriation—of dress, cuisine, architecture or artwork—is acknowledgement of someone's else's good choices. In the Arts & Crafts period, for example, designers and artists around the world sought local references from the artists (and the culture) which came before. Part of this was to honor the culture in which the (contemporary) artists were working. Additionally, Arts & Crafts designers were attempting to "go-back" to an...
At about this time last year I visited my mother in the Southwest, where she lives. Though she inhabits a fairly large town, which is part of a larger cluster of towns, her community remains "amenity-free"—meaning, in this case, that the nearest operating airport is 4 hours away by car. (By the way, there also are no arthouse cinemas or comprehensive bookstores in her town, either). I surmise that few people in her region of 100,000 people ever go anywhere by plane (or see foreign films or read secular books). So I flew to the nearest airport, rented a car, and drove the additional 4 hours to join her. Despite my annoyance (and travel exhaustion), it was a beautiful...
Let's end our summer tour of Gouda with this sunny, summery piece made in the 1920's. With just a whisper of Mediterranean chic, this Dutch vase is embellished with bold flowers and leaves in marigold, burnt orange, mossy green, aqua blue and white. A serpentine border provides a meandering edge to the painting. This happy vase will certainly take you back to sunny days during the coldest weeks of the Winter.
Of all the Gouda pieces I've bought, sold and collected over the years, this one may be my all time favorite. The size is impressive. The shape sublime. And the hand-painted Art Nouveau florals are boldly handsome. But it's the color that delights me the most: a sophisticated blend of varied, saturated blues set against an earthy olive green (with small pops of golden embellishment). The color palette is an exercise of sophisticated restraint. It's date-marked 1922, a few years after the Great War, during the waning days of the Art Nouveau movement. In a couple of years, the Art Deco movement will coalesce. (Though the movement will go by a different name for a while, "L'Art Moderne." The term...
Stylized flowers are used liberally in hand-painted Gouda ceramics, like on this little two-handled bowl dated 1923. A garland of Morning Glories wends its way around the bowl, providing handsome contrast to the dark chocolate and golden mustard glazes which provide the background.
This week we are sharing a collection of nice Dutch pottery from Gouda, the inland city in the Netherlands. I have always liked these hand-painted ceramics, especially those Art Nouveau pieces which seem to be inspired from Oriental ceramics (in this case, pottery and tiles from the Near East: Persia and the Arab lands). Such "exotic" ceramics, made in Holland, would be more accessible and less costly to middle class consumers in Europe. While the carriage trade could afford real Persian ceramics (or, better yet, vases from China or Japan), working people—desiring a little taste of Orientalism—could better afford something less rare, made closer to home. The genie bottle, shown above, has the feeling of Persian ceramics work—with the inclusion...
Gouda (pronounced "How-dah") is a Dutch inland city—known for its local cheeses, bisque clay pipes, Stroopwafel and hand-painted ceramics from the Art Nouveau and Art Deco eras. Built on marshlands in the Medieval era, Gouda had all the things needed for ceramics production: clay, a heat source for firing (peat), a manner of transport (waterways, then railways), and labor for crafting the objects. Although some solid-colored pottery was made in Gouda, local potters are best know for the detailed, fanciful, hand-painted designs which ran the gamut from folk art to the sophisticated. The Golden Age of Gouda pottery was from the 1880's to the 1920's. Like many Gouda products (including pipes, cheese and Stroopwafel), Gouda pottery soon developed a worldwide...
Happy Independence Day! On this day in 1995 (I remember it well), I was on my hands-and-knees, belt-sanding the floor in my first shop, 413 Bleecker Street. The shop was to open in a month—and there was no time for a day off. But it didn't matter: I was independent, I was my own boss, I was taking the first few steps off of an interesting and fulfilling career as a shopkeeper. This year—twenty-eight years later—I probably still will spend (at least) a little time at work. I'm leaving on vacation in five day's time and need to make use of the time. I guess some things don't change! As in 1995, I still live a life on-deadline. But...
Welcome, July, and your birthstone, the Ruby. The ruby—called "The King of Gemstones"—is one of the four "cardinal" gemstones (alongside diamonds, emeralds and sapphires). It is a variety of Corundum, as is the sapphire (the blue variety of the same stone). Rubies get their color from chromium and the deepest, darkest-red stones are the most valuable (called "pigeon's blood rubies"). Pink rubies can also be found, however, in the United States, they must be sold as "Pink Sapphires" (not rubies). The ruby is also the third hardest gemstone (after diamonds and moissanite). All natural rubies have imperfections called "rutile needles" which give the appearance of threads or silk fibers within the stone. Such imperfections can be reduced through heating—though an...
Today is the First Day of Summer! It is also called "The Summer Solstice"—the "longest day of the year." Technically, the Summer Solstice occurs today at 10:57 am (Eastern Time)—the precise moment when the Northern half of the Earth is most-tilted toward the sun. Because of this maximum tilt, the Earth gets maximum sunlight (thus, it's the longest day). Going forward, the Northern axis will slowly tilt away from the Sun and each day will get a little shorter (until the Winter Solstice—the shortest day of the year—when the Northern axis begins to resume it's annual crawl-back toward the sun). Shown above, a summery Dutch vase. Made in Gouda, Netherlands, in the Twenties, it boasts a wonderfully-sunny hand-painted floral decor—a perpetual...
After 28 years of buying and selling ceramics, I've gotten more confident in recognizing a nice piece of pottery when I see it. Even when I do not know who made the piece—or when. The Modernist bowl above is such an example.
Much of the pottery I buy was made in the Late-Nineteenth through the Mid-Twentieth Centuries. Most of the pieces I acquire were made by "recognized" workshops with recognizable attributes (and, with luck, a maker's mark). Even ceramic "studio" pieces (that is, pieces made-by-hand in small, artisanal shops) might have recognizable characteristics or bear a discernible signature. Additionally, some glazes, shapes or other idiosyncrasies obviously identify the maker or the workshop to an experienced collector.
Spring treats us to a palette of wonderful soft green shades—from the yellowish to the bluish. And, as the seasons progresses, the colors deepen, become richer, stronger and "more serious."
This English Art Deco vase was hand-thrown by the potter Edward Thomas Radford for Pilkington Royal Lancastrian. A whisper of cool, pale celadon glazing recalls the tenderest of new spring leaves. Beneath this glaze, one can still see Radford's fingermarks, left permanently behind from the day the vase was turned on a wheel.
Such a soft green glaze looks best when juxtaposed against a complimentary (or contrasting) color. An aqueous wall or a collection of blue and green ceramics will bring-out the best in this handsome, delicate glazing.
Welcome, May, and your majestic birthstone, the Emerald! Emeralds are one of the four "cardinal" gemstones, alongside diamonds, sapphires and rubies. Perfect emeralds are very rare. Because they are so susceptible to flaws, the industry allows them to be graded with the naked eye (that is, without magnification). This allows them a bit of a "reprieve" from the harsh standards of other rare gemstones—as almost no samples would pass muster under rigid scrutiny. It an Emerald looks perfect to the naked eye, it is considered flawless. The most valuable color is a deep green, but one that is very clear and bright. Emeralds are a variety of Beryl and its green coloration is due to chromium "impurities" trapped within the...
In much of the world, today is Labor Day, a day when nations celebrate and honor their working people. Working people—people who use their bodies to build, transport and repair—are responsible for building nations and keeping them running. A strong, skilled and well-compensated working class makes for a strong and agile nation. Making something with one's hands provides tremendous satisfaction. Making tangible an idea—a vision, a drawing, a plan—brings fulfillment to many a craftsman. And we cannot live in a world of abstract technology. We need shelter, food and the tools which make life easier for us. And these essentials are provided by those who make them with their hands. The Danish Modern stoneware sculpture, shown above, portrays a blacksmith...
During the British Aesthetic Movement and Arts & Crafts periods, designers sought inspiration in numerous places—including from the Middle East. Medieval Persian and Iznik (Turkish) tilework provided rich influence for Western designers who were looking for fresh and natural design which suited the Art Nouveau aesthetic. Middle Eastern ceramists incorporated botanical naturalism and graphic energy in their works, two elements well-suited to the Arts & Crafts. Westerners favored the distinctive historicism of Middle Eastern design, not to mention an "Orientalist" exoticism which was extremely popular in Eighteenth and Nineteenth Century Europe.
In the earliest days of the French Art Nouveau movement, Clément Massier opened his ceramics workshop in the South of France, in Golfe-Juan along the Côte d'Azur. Even as a young boy, he was intrigued by the ceramics of Ancient Egypt, Greece and Rome. And, by hiring the best ceramicists and glaze masters, he was able to revolutionize the world of Turn-of-the-Century ceramics. He (and his staff) developed wonderful metallic lustre glazes—and enjoyed strong sales amongst the smart set who visited the French Riviera's seaside resorts. Artists, aristocrats and European royalty patronized his gallery. And soon his work was being sold in the most exclusive shops in Paris and New York. Today, Massier's work can be found in museums such...
The biggest problems with florals is that they are sometimes . . . florid. So I collect flowers with caution. This Gouda Dutch tall pitcher scratches my sweet spot. Flowers, yes. But the colors are restrained—dour even, in the best possible way. Several shades of blue and a touch of mustard yellow are presented on an olive background. Nothing "pops" unnecessarily. In fact, the restrained palette creates a highly-sophisticated presentation. It was made in Gouda, Holland, in 1922. Imagine this piece as a "statement piece" counterpoint before a pale blue wall. It could stand alone or with other ceramics which pick-up the glaze colors on the pitcher.
In honor of the Spring, we are sharing some of our florally-inspired items over the next several days. Enjoy the season—including the flowers which delightfully distinguish the Spring. This has always been one of my favorite vases. Stylized dandelions are carved and hand-painted upon the classic body of this heavy, stoneware vase. The Aesthetic Movement decoration provides a glimpse of the Art Nouveau movement to come. It was made in 1896 by the little ceramics workshop, Revernay, in Digoin, France. Revernay seems to be an "offshoot" of the older Alsace (France) ceramics workshop, Utzschneider & Cie. Utzschneider had been founded in the Eighteenth Century and counted Napoleon I amongst its customers. Alas, not much is known about the Revernay ceramics firm—except for...
This is one handsome vase! A robust shape, punctuated with bold, tapering vertical ribbing, and finished with a mottled vermillion glaze—this piece is a knockout whether standing alone or as part of a larger collection. It was made by Pilkington Royal Lancastrian during the Art Deco Thirties. Pilkington's, the company, had planned to go into the coal mining business in Lancashire, England. But the company owners found very little coal while digging—all they managed to turn-up was clay! So Pilkington began to make ceramic tiles in 1893—a time when decorated tiles were much needed in the building trades. Before long, Pilkington added ceramic vessels to its production: bowls and vases. Pilkington received international acclaim for its works as well as recognition...
Even today, the civilizations surrounding the Mediterranean Sea are astounding: the food, the cultures, the art and craftworks. But the Mediterranean's rich heritage extends back for millennia: the Mesopotamians, Egyptians, Phoenicians, Minoans, Greeks, Etruscans, and Romans—just to name a few of them. Even today, the art and antiquities of the Mare Nostrum are inspiring artists and all who love beauty. This Belgian vase, made by Antoine DuBois in the 1920's, is decorated with an incised "rampant lion" who looks like he may have leaped off the frescoed wall (or mosaic floor) of an ancient Mediterranean palace. On the reverse side, a stylized incised palm leaf continues the Greco-Mediterranean aesthetic. That this motif inspired an Art Nouveau ceramic artist shows...
The day after Easter—called "Easter Monday" or "Bright Monday"—is a national holiday in many Western countries (though not in the United States). Banks and government offices are closed and families relax together or participate in customary activities specific to their locale. Many of these celebrations involve eating special foods, often out-of-doors. Italians and Spaniards picnic in the countryside or barbecue outside. Coptic Christians in Egypt eat fermented mullet (also outdoors!). Sporting activities are popular elsewhere. In Australia, horseraces and rugby games predominate. Germans play egg-rolling games (Catholics joining-in after Mass). And some Austrians organize walks called Emmausgang—recreating the walk of the disciples along the Road to Emmaus (on which two of the disciples recognized the resurrected Jesus when he appeared...
Happy Easter! And a Blessed Ramadan and Passover, too. This week, all three Abrahamic religions—Judaism, Christianity, Islam—simultaneously celebrate their important annual holy days, a coincidence which only happens approximately once every 30 years. For Christians, Easter commemorates the fundamental belief that Jesus rose from the dead, thus saving the World. Easter marks the end of the 40 day Lenten Journey of prayer, fasting and almsgiving. With Passover, Jews celebrate their covenant with God—and His deliverance from from their slavery in Egypt. Muslims observe a month of fasting, prayer and good works, a regimen of sacrifice, discipline and spiritual cleansing. In all three religions, prayer, fasting and almsgiving (or good works) play a critical role in preparing one to better encounter...
Chad Pesach Sameach! Happy Passover!
Passover is the annual Jewish celebration commemorating the Israelites' escape from enslavement in Egypt. In the Book of Exodus, God sends the "Angel of Death" over Egypt, directed to kill every firstborn child and animal. But the captive Israelites were instructed to mark the lintels of their dwellings with lamb's blood, thus marking their homes for preservation. The Angel of Death would then "pass-over" the homes of the Jewish believers, thus sparing them.
Like many Jewish festivals, it begins at Sundown on the previous evening—today, 5 April. This year, Passover concludes on the evening of Thursday 13 April.
Need a nice bowl for Spring paper whites? Or a caddy for keys and wallets near the door? Or, perhaps, a stylish water bowl for your dog? This bowl, made in the Thirties by Red Wing (in Red Wing, Minnesota), has plenty of style to match its functionality. The interior is fully glazed—in a fresh, Spring green—which makes it water-tight. The exterior, which is decorated with a bas relief ring of daisies, is first brushed with a matte green stain which is then partially wiped-off, thus accenting the high-low effect of the texturing. Subsequent firing fixes the exterior stain and the interior glaze. This brushing method inspired the pottery line's name, "Brushware."
Palm Sunday—one week before Easter Sunday—marks the start of the Christian "Holy Week" which culminates with Easter, the most important day of the Christian calendar. In the Gospels, Jesus entered Jerusalem to great celebration, welcome and fanfare. Many of the revelers waved palm branches, laying them on the ground before Jesus. Within days, He would be condemned by the authorities, tortured and crucified. This rollercoaster of adoration and renunciation provides the dramatic prelude to Jesus's death—a tragic but necessary passage which had to happen before the Resurrection. Why palms? Palms have a long history of importance and symbolism in many cultures. In the arid climes surrounding the Mediterranean, palms provided life-sustaining food, shade and building materials. In Ancient Egypt, the...
Though modern dentistry has come far in the last 50 years, basic dental hygiene—brushing one's teeth two or three times a day—has been standard practice for decades. In a middle class English home of the 1880's, a toothbrush holder, such as the one above, might have sat on the edge of the heavy porcelain sink. It was made in Burslem, Stoke-on-Trent in Staffordshire—that center of British ceramics production since the 1700's. The handsome Aesthetic Movement decoration is applied with "transferware," a process by which a pattern printed on paper is applied to the ceramic item before firing. This allowed complex or delicate patterns to be quickly (and inexpensively) reproduced on ceramics en masse. The material is called "Ironstone," a common...
Spring is here. With luck, the Spring weather will follow shortly. Until then, a cheery reminder of the seasons to come: Spring, Summer and Autumn. This Dutch vase, from Gouda, Holland, was made in the Twenties. Hand-painted decoration includes flowers, leaves and graphic embellishments—all in rich shades of marigold, rust, greens and blues.
March is here—and he brings with him the month's birth flower, the Daffodil. March is derived from the name "Martius," the first month of the Ancient Roman calendar. Martius was named after Mars, the hot-blooded God of War. Daffodils are a member of the large Narcissus family which also includes paperwhites, jonquils and a very wide range of narcissi. While there are numerous natural varieties, they have been vigorously cross-bred by humans, resulting in countless hybrid cultivars. Daffodils grow from bulbs, from which the flowers emerge—a trumpet-like "corona" surrounded by six petals—usually in the Spring. They are believed to have originated some 25 - 30 million years ago in Southwestern Europe: Spain, Portugal, Southern France, Italy and along the Mediterranean...
This week we have been sharing pieces from our collection of George Clews "Blue Chameleonware" Art Deco ceramics made in England in the Twenties and Thirties. Let's end our "parade of pottery" with this perfect pot—a handsome piece, just the right size, with broad shoulders, a little spout of a mouth, and an attractive, hand-painted "Indian Flame" design around its shapely body. Because of the color palette chosen by the decorator, this piece really leans-in to its Persian Iznik aesthetic roots. The color combination has a certain "freshness" to it—cool and clean, crisp and precise. And since the sidewalls "return" to the center (and the mouth), this piece looks wonderful whether viewed from the side, from the top down, or from...
This two-handled, trophy-form "loving cup" vase makes the perfect home for your tiny handful of flowers—perhaps three, five or seven stems. And the piece is an excellent addition to a collection of blue vases and bowls—for it gives unique variety of shape and size to a group of more traditional vases. The cornflower blue undercoat is mottled with an organic, dripping mossy green top glaze. The spontaneous, random glaze "softens" the otherwise crisply serious, ancient form. Made in the Twenties or Thirties by George Clews "Chameleonware" in Art Deco England.
The classic, timeless form of this English Art Deco vase makes it a favorite of mine. "Pleasantly plump," this vase has a slightly distended look—as though the potter had blown a small gust of air into the vessel but not too much). And the hand-painted, "Indian Flame" pattern—in blues and browns—are laid perfectly upon the vase's body to complement its shape and show the graphic pattern to its greatest advantage.
Made by the George Clews Pottery in Tunstall, Stoke-on-Trent, England, it has graced some British home for nearly 100 years—that is, until it came back to the States with me.
Just before World War One, George Clews created their new, decorative Chameleonware line—whose roll-out had to be delayed due to the onset of the fighting. After the war, production resumed and proved enormously successful through the Twenties and Thirties. In fact, at times, Chameleionware represented 80% of George Clews's total sales. In the 1930's, the company added a line of sculpted ceramic animals including a frog and a chameleon (which is extra popular amongst collectors today). It was a war which delayed the Chameleonware line at the start. Alas, it was another war which killed Chameleonware altogether. When World War Two began in 1939, the production of discretionary items (like flamboyantly hand-painted vases) was restricted. George Clews was allowed to continue...
In 1926—America's 150th birthday—Philadelphia held a Sesquicentennial Exposition, a World's Fair championed by Pennsylvania merchant-retailer John Wannamaker. Among the various historical, sporting, religious and artistic exhibitions, foreign nations, U.S. states, government offices and private companies were invited to sponsor a display, perhaps a pavilion, exhibiting their work, products, art, food and other cultural objets. The English were represented by (amongst other companies) the George Clews Pottery Works—who took-home a gold medal for "Originality of Design."
Vases such as the onion-form bud vase, shown above, were included in the award-winning Clews exhibition. The flamboyant, hand-painted designs created a sensation and helped broaden the Chameleonware product beyond the British Isles.
This week we are sharing pieces from our collection of George Clews "Blue Chameleonware" Art Deco ceramics made in England in the Twenties and Thirties. Not all of George Clews's production boasted ambitious, exotic and highly-decorated graphic design. A more understated, Modernist look was produced, too. In an attempt to emulate the expensive, hand-thrown studio pottery of the day (like Ruskin), David Capper developed simpler, organic glazes which looked random and spontaneous. The piece above, made in the Twenties or Thirties, has a triangular, "pinched-top" opening, like a handmade art piece might have. It is finished with dripping, organic glazes in cornflower blue and mossy green. This interesting glaze provides a unique, "studio pottery" look on a slip-cast form at...
From the time that Europeans and Asians first began crossing-paths—traveling the world and trading this for that—all parties along the trade routes had things that others wanted to buy and saw things that they wanted for themselves. To the Far East, Westerners supplied manufactured goods, steel objects, woolens, furs, cattle, honey, lots of gold & silver (not to mention slaves, opium and disease). In return, Europeans purchased silken textiles, tea, certain spices and lots (and lots) of porcelain and ceramics. Not only did the "Oriental Style" ceramics intrigue the Europeans, but the technical proficiency of their pottery-making was a compelling mystery to the Westerners (especially considering the rather primitive kilns and technology that was available in the East at the...
Although George Clews's "Chameleonware" line was designed in 1914, its production was placed on-hold due to the outbreak of World War One. Artistic genius, David Capper, served and was injured in the war. Eventually, he returned to Clews and picked-up where he had left off: continuing to develop and market Chameleonware in the Twenties. The line—which was produced in dozens of differing painted patterns and colorations—included mottled "solid" art glazes (to emulate Ruskin) or ambitious hand-painted decorations which closely observed popular decorative trends. Very often, these trends were inspired by contemporary, international archeological discoveries—in Persia, Egypt or Asia—which intrigued the public (and, especially, people who might never have the means or opportunity to travel to these far-flung, exotic lands). Authentic "Oriental"...
We've spoken about David Capper before, the artistic force behind George Clews's unique glazes and painted patterns. His attempt to broaden the company's offerings—developing more decorative art pottery—started in 1913 with his production of Clews's "Jet" line: redware ceramics finished with a cobalt glaze which turns jet black under firing. The first "Chameleonware" pottery, like the jug shown above, was designed in 1914. It has been speculated that the name is a reference to the way glazes change color in the kiln—like a chameleon changes color based on its environment.
Clews's new products, promising as they were, were cut-short with the outbreak of World War One (1914-1918).
David Capper was the George Clews works manager who also developed the company's unique glazes and hand-painted surface decorations. Capper, and the other executives at Clews, recognized a growing English middle class which had a taste and a desire (and a modest budget) for handsome but affordable art pottery. This "aspiring" social class might not be able to afford the pricier works of a Ruskin Pottery (hand-thrown in small batches as they were), but they could afford slip cast (moulded) pieces which were then embellished with intriguing patterns a la mode. This provided a happy medium in the workshop: well-priced mass produced forms which were carefully (and artfully) embellished by hand (often painted by women, a respectable and desirable job...
This week we are sharing pieces from our collection of George Clews "Blue Chameleonware" Art Deco ceramics made in England in the Twenties and Thirties.
The first George Clews products in 1906 were utilitarian in nature—mostly teapots. One of their groundbreaking (and profitable) designs was an Art Deco cube-form teapot in which the handle was recessed into the cubic shape of the pot and the spout was formed out of the opposite corner. This cubic shape allowed the teapots to be packed snugly together, a practicality in the hotel, restaurant, or (especially) the cruise line trade. Clews supplied these square teapots and tea services to the Cunard Line for use on their passenger ships—practicality and efficiency meet streamlined Art Deco modernity.
Recently, two long-time customers visited, interested in adding another piece of English Art Deco "Chameleonware" to their collection of other pieces, purchased from me in the past. While they perused the collection, I decided it was time to shoot the nicest pieces and make them available in the LEO Design on-line shop. Over the next several days, I will be sharing a few of these most interesting pieces. The George Clews company was founded in 1906 in Staffordshire, England—"Ground Zero" of the British ceramics industry in the English Midlands. The region, sometimes called "The Potteries" is more formally known as "Stoke-on-Trent"—a confederation of six pottery-manufacturing towns including Burslem and Tunstall (both of which the George Clews Company inhabited at different times)....
This "Rabbit of the Year" is scampering to center stage, ready to fulfill his starring role: "I'm late! I'm late!" This stoneware bas relief plaque, made in California, is finished with an aqueous aqua-green glaze. Fitted with a hang wire, the tile is ready to hang in just-the-right spot. He'll be a reminder to all—and especially to those born under the Rabbit—to scurry now, relax later. Good advice, indeed. Click on the photo above to learn more about this handsome sculpted decoration. Though our Greenwich Village store is now permanently closed, LEO Design is still alive and well! Please visit our on-line store where we continue to sell Handsome Gifts (www.LEOdesignNYC.com). We also can be found in Canonsburg, Pennsylvania at The Antique Center...
I've been taking classes at Carnegie Mellon University through the Osher Lifelong Learning Program. Bernard Osher, a San Francisco businessman, left an endowment to create continuing education departments at various universities across the country. The Osher Program is now represented at 125 American Universities (spanning the country)—and provides quality, affordable continuing education (and intellectual and social engagement) for people over the age of 50. The new semester began a couple of weeks ago and I'm already behind on my reading! I'm taking a class on Shakespeare in which we are reading, studying and discussing Henry V (amongst other plays). While most of the courses I've taken at Osher do not require much (if any) reading, one cannot really study Shakespeare with...
True, we are still weeks away from Spring—precisely two months from today—but tiny signs of that blessed season occasionally emerge before us: a muddy squish, an earthy smell, the tender, emerging daffodil buds (already!). Therefore, eager for the promise of Spring, we present this exceptionally sunny Art Deco vase, made in the Thirties by Stangl of Flemington, New Jersey. The form is inspired by Ancient Greek amphora—the bulbous form, corseted neck and flaring rim, punctuated with drooping acanthus leaf handles. And the deep yellow glaze seems to radiate sunshine. Displayed with or without flowers, this vase is sure to be a happy reminder of lovely days—Spring and Summer especially.
This lamp, sunny even when turned-off, is positively luminous once turned-on. The ceramic body, made in the Sixties or Seventies, is decorated with high-texture, dripping organic orange and brown glazes. It has a particularly comforting presence—and is useful for illuminating your home.
The changing of the year always encourages a fresh start. Quitting bad habits. Turning new leaves. I always like the stripped-down freshness of January. Once the Christmas decorations (as much as I like them) are gone, the spare, angular shape of rooms returns. Space is broadened. Everything looks cleaner.
A collection of matte white pottery has a spare, clean look, quite suited to the January chill. The Art Deco vase, shown above, was made by Stangl in New Jersey.
Happy New Year!
Germany was the birthplace of Modernist church design (both Catholic and Protestant) in the Twentieth Century. In the Twenties, through the end of the Weimar Republic (1918-1933), Germany took-the-lead in building new religious spaces with a radical, Modernist look. Before World War One, the Church looked-backward for its design inspiration. By emulating older schools of design—principally the Romanesque and the Gothic—the Church believed it was reinforcing the continuity between the modern Church and all that had come before. But, for a few years, German church designers moved in the new, Modernist direction—until the Nazis (who abhorred any Modernist expression) came to power. With very few exceptions, the Germans were quite alone in this early modernization. Modernism would not become popular in churches...
When I was a kid, I was a member of the 4-H "Horsemanship Project" on Kauai. I had a horse, "Chiquita," who required daily care. I hadn't even heard of "stabling"—and my family would certainly not have paid for it. Instead, every day after school, I'd head for the pasture, feed and groom Chiquita, and fill her bathtub "trough" with the gallons of water which we had to transport with us (no running water at our remote pasture). Most days I would ride; some days I'd have a riding lesson. And, if there was not enough grass for her in the pasture, I would go out with my sickle and cut for her a small truckload of long (itchy!) "elephant" grass....
One of the signature features of the Arts & Crafts Movement—no matter where in the world it occurred—was the "revival and employment" of important cultural references from the local past: aesthetic elements, literary or folkloric references, historic milestones, or other relics of that specific culture's past. In England, the Arts & Crafts Movement sometimes incorporated Medieval Literary themes: knights in armor, heraldry, "Olde English" phrases. Scandinavian countries would utilize Viking ships, shields and other elements. And the Scots & Irish would freely apply Celtic design motifs—crosses, knots, thistles or shamrocks—into their Arts & Crafts designs. When designers "touched-back" to the culture's past, they were seeking to imbue their works with the patina of time—back to the culture's fundamental origins, back to...
The Tlingit People is comprised of numerous tribes of Native Americans who live along the Pacific Northwest—in the areas now called British Columbia (Canada) and Alaska. They are a matrilineal society; hereditary roles and property (which once included slaves) passed from mother to daughter. Genetically, they have relatives from Siberia, Russia, though older DNA shows a link to the Japanese Ainu people.
Even before I knew much about the Tlingit Peoples, I was mesmerized by their stunning graphic works—carvings, textiles and paintings—utilizing bold, stylized animals (often in reds, whites and blacks). I found the aesthetic bold, original and timeless; age-old designs look fresh and modern today.
At one time, back in the Ancient Roman Period, October was the eighth month of the year. This is readily apparent because the prefix "Octo-" refers to the number eight. At the time, the year had only 10 months. September was seventh, November was ninth and December was tenth. Then, around 713 BC, January and February were added to the calendar, in an attempt to lengthen the year—to better represent the actual length of time required for the earth to encircle the Sun. (This "elongated year" at 354 days, was still incorrect. It takes 365.2422 days for the Sun to complete its Solar circuit. This is why nearly every fourth year is designated a "Leap Year.") Those born in October—mostly Libras and...
Simply put, a "cabochon" is a plain, domed "stone"—without faceting—which is rounded and polished on the top and (usually) flat on the bottom. The term refers mostly to gemstones, shaped this way to be mounted into jewelry. But, during the Arts & Crafts period, craftsmen made cabochons out of glass or glazed ceramic to be used as decorative elements (embedded in metalwork or woodwork). One of the aims of the Arts & Crafts Movement was to elevate the beauty of simple materials. In this case, a beautifully glazed, hand-crafted ceramic rondel could be appreciated as much as an expensive, precious gemstone.
When I visit any good art museum, I always spend a few extra minutes standing before the Van Goghs. I never fail to be moved by his work. His composition, his style, his brushwork (perhaps knifework), and his use of color are enchanting to me. I know of his difficult life and tortured soul—and I attempt to "feel" his spirit, radiating-out from the canvas, communicating across the centuries. I feel a sadness that he knew so little happiness in his life. That he never sold a single piece in his lifetime. And that he would never know how much joy and beauty and emotion he would bring to so many admirers, all around the world, for so many decades. But...
Welcome, September, and your sublime birthstone, the Sapphire. Sapphires are one of the four "cardinal" gemstones, alongside diamonds, emeralds and rubies. Though it is best known as a deep, pure, saturated blue color, it can come in a variety of colors (or even be bi-colored). It is a variety of the "Corundum" family and it achieves its heavenly blue coloration from the presence of aluminum oxide in the stone. A red sapphire is called a ruby. From the Middle Ages, sapphires have symbolized loyalty and trust. People would wear sapphires as a talisman to protect against danger or other harm. Italian superstition believes that sapphires will protect the wearer from eye disease and melancholy. A 45th wedding anniversary is known...
On this day in 1991, Ukraine issued its Declaration of State Sovereignty of Ukraine—essentially, its Declaration of Independence from the Soviet Union (which would, itself, collapse four months later). This wasn't the first time Ukraine had declared its independence from Mother Russia. On 22 January 1918, during what would be the last months of World War One (and the lives of the Romanov Dynasty), Ukraine declared itself free and independent. This date was formerly celebrated as Ukrainian Independence Day, especially amongst the diaspora.
Today, 24 August, is Ukraine's most important state holiday. Military parades, aviation flyovers, and presidential speeches are held in Kyiv. Unfortunately, the Russian invasion of Ukraine has made such celebrations difficult, if not impossible.
It's hard to go wrong with simplicity. Well-designed, good quality simplicity. In the case of this vase, the simple trumpet-form shape is functional while not distracting from the main event—the profusion of flowers above. It's tall, too, over 12 inches high. This provides a dramatic elevation, allows plenty of room for stems and ensures a good supply of water to refresh the flowers. And the fairly narrow top rim serves to hold-together the flower stems, creating a naturally dense, luxurious arrangement. The vase was made by Haeger, in Dundee, Illinois, in the 1960's or 1970's. A satiny matte white glaze completes the purity of aesthetic.
The Prinknash Abbey (pronounced "Prinidge" or "Prinnish") is a Benedictine monastery founded in 1096 in "The Vale of Gloucester," about 100 miles northwest of London. In 1539, as Henry VIII was stripping the Catholic churches and closing their monasteries, he seized the abbey to be his hunting lodge. In 1928, the abbey and its grounds were returned to the Benedictine monks. In the 1940's, a supply of red clay was discovered on the property and a pottery workshop was built. Monks would throw little pots and bowls, decorating them with their signature metallic gunmetal glaze. These vessels would be sold to help support the work of the abbey. But producing hand-thrown vases, by monks, was a labor intensive business—and, naturally,...
In the world of ceramics, "lustreware" refers to the family of pottery in which a delicate, iridescent metallic glaze—usually a very thin treatment—lies upon the original (traditional) glazing. As with most pottery-making, the raw clay is formed and fired once, creating a plain "bisque" piece. The stoneware, ceramic or porcelain is now solid though not decorated. The piece is then glazed and a second firing "fixes" the glaze to the underlying ceramic. With lustreware, a light metallic glazing is applied over the first glaze—and the piece is fired a third time, but only lightly, enough to soften the first glaze and create the desired chemical reaction in the lustre glaze. Lustrous glazes use metal: usually gold, silver or copper. The...
Yesterday we discussed Rob Roy, the horse who meets a tragic end in the 1877 novel, Black Beauty. The horse is put-down, shot, after breaking his leg during a fox hunting jumping accident. His rider, George Gordon, dies, too, having broken his neck in the fall. Black Beauty was written by English author Anna Sewell and it is her only published work. It was written in the final years of her life and published a short five months before her death. Sewell had been injured in an accident as a child and, due to poor medical treatment, was never able to walk again. She spent much of her life sick and bedridden, though, when she was able to leave the house,...
I love being surrounded by green! Indoors, outdoors—I find the color relaxing, soothing and so full of life. So it's no surprise that I began building a nice collection of matte green Arts & Crafts pottery as soon as I opened the store in 1995. Interestingly, one of the first pieces I sold (my first week) was a gigantic matte green jardiniere. I have never seen another piece so large (at any price). And I learned an important lesson about marking prices on "statement pieces." The piece above, made by Zanesville around 1910, is finished in a restful matte green glaze. A simple bas relief botanical motif surrounds the bowl—which is perfect for forcing paper whites or collecting pinecones, wine corks...
We at LEO Design wish you a happy, safe and restful Independence Day. And we share our fervent prayer: that Democracy will survive in America, deepen its roots and flourish—becoming, once again, a model to the World of freedom from autocracy, theocracy and thuggery. It's a prayer that collective and individual freedoms always contribute to a better, safer and more loving society. A society where every individual may achieve his or her chosen potential.
The architect and industrial designer, Keith Murray, is considered one of the most important of the Art Deco (Art Moderne) periods. He was born in New Zealand in 1892. As a young man, he worked as a draughtsman in an architectural office—which was to greatly influenced his future career as an architect and industrial designer. Murray also harbored a passion for aeronautics and was involved with amateur plane-building and flying in New Zealand. During World War I, Murray became a distinguished Royal Air Force pilot. After the war, he studied architecture in London. But Murray had difficulty finding work as an architect and made-ends-meet by doing commercial illustration work. During the Paris Exposition of 1925 (of decorative and industrial arts),...
Decades ago, I made the decision to prioritize antique and vintage ceramics pieces in my store. Although contemporary studio ceramics were often superior to the older, mass-produced pieces (in terms of finish, execution and attention to detail), I simply did not have the shop space to display both types properly. I had to choose and I sided with the antique pieces.
Nevertheless, intriguing "new pieces"— by living ceramicists—would occasionally cross my path. I recognized their quality, artistry and rarity (as they usually were made in very small batches, and were sometimes a "one-off" specimen). So I make the very occasional exception and spring for a contemporary piece (when I cannot help myself).
Summer begins today at 5:14 am (Eastern). It's the Summer Solstice—and the longest period of daylight in the Northern Hemisphere. Technically speaking, the Earth's Northern Pole is most-tipped toward the Sun, which accounts for the long period of sunshine (in the North). Tomorrow, the Earth will have begun slowly "tipping-back," as Summer progresses and we move (unhurriedly) toward the Autumn and Winter to follow. Of course, our friends in the Southern Hemisphere are experiencing the opposite pull of the seasons; today will be their first day of Winter (and their shortest day of sunlight). Just in time for summer: soft and restful blues and greens. This English Arts & Crafts vase, date marked between 1902 and 1922, was hand-decorated (and...
For the handy Dad: a Danish Modern "Plumber at Work." This heavy stoneware tile was made by Karl Otto Johansen for Bing & Grøndahl around 1970. It was part of a series of plaques commemorating various trades: plumbing, carpentry, blacksmithing. Johansen also sculpted decorative bas relief plaques in themes of nature and animals.
Though, over the decades, I have occasionally come across a black vase—usually from the 1970's and usually with rather uninspired, unsophisticated glazes—they are never as nice as this handsome English specimen from the period between the Wars. Hand-thrown by Edward Thomas Radford and date marked 1920 - 1938, it is finished with a sublime satin black glaze—a thrilling example of good taste and dramatic self-confidence. One can still appreciate the horizontal "finger ribs" which Radford left in the still-soft clay. It was made for Pilkington Royal Lancastrian.
While we may still yet enjoy a few crisp evenings—blessedly allowing us to leave our windows cracked-open all night—the "bear's share" of the cold weather will be well behind us. Though that bad news won't dissuade this happy little chap: a Danish Modernist stoneware rolling polar bear sculpture made by Royal Copenhagen. A lightly painted face adds to the sculpted texture of the modeling (see the waves of fur playing against his chubby body).
Black and white becomes—or can become—a shade of grey. Such is the case with this West German Modernist pitcher made by Emons & Söhn: foamy white dappled over black. I find such a simple coloration and texture endlessly fascinating. Very understated. Very elegant. It reminds me of the planet Mercury, whizzing quickly around the Sun, some 90 million miles from Earth. What a wonderful addition this piece would be to a collection of black, white and grey ceramics!
The Abingdon Sanitary Manufacturing Company was founded in 1908 in Knoxville, Illinois. The company quickly distinguished itself by making superior "sanitary ware," that is toilets, sinks and water fountains. Their high-quality clay blend (from England, Georgia and South Dakota) resulted in a very durable product. Their satin glazes were also beautiful; Abingdon was the first plumbing fixture manufacturer to produce color-glazed options (in 1928). Abingdon was tapped to produce all the plumbing fixtures for the Chicago World's Fair in 1933. But the Depression—and WWII to follow—was not easy on the building trades. Orders for sinks and toilets (ummm...) went down the drain. In the late 1930's, Abingdon made the dramatic decision to begin crafting small, decorative and gift items. Using...
As we straddle the seasons—that unpredictable period between Winter and Spring—let us shine a little light on another sensory counterpoint: the interplay of black and white. Over the next few days, we'll share part of our collection of black, white and black & white merchandise—all for sale in our on-line store.
A simple, Modernist shape surges to life with the addition of a dynamic, mottled glaze—foamy white dappled over black. This West German vase, made by Scheurich in the 1960's or 1970's, looks sensational alone—or even better as part of a black and white grouping.
If you'd like to give mum some flowers for Mother's Day, you couldn't do much better than this. This sublime French Art Nouveau vase was made in the South of France in Golfe-Juan—along the Mediterranean—by the unparalleled ceramicist Clément Massier. Massier pioneered the production of lustrous metallic glazes, often artfully combined with underlying hand-painted decoration. His contribution to the French Art Nouveau includes an installation at Maxims de Paris and the inclusion of his works in the Musée d'Orsay and the Metropolitan Museum of Art. As a young artist, Massier worked in his family's ceramics workshop, at the side of an Italian ceramics master, Gaetano Gandolfi. The young man was especially fond of Ancient ceramics—Egyptian, Greek and Roman—as well as...
Here's another sublime Gouda Dutch vessel: an Art Nouveau "genie bottle" vase, decorated with a quartet of stylized, hand-painted tulips. The tulips, which have a real Arts & Crafts graphic sensibility, float before a "wall" of hand-painted circles and dots—a Secessionist wall paper, if you will. The corseted gourd-shaped form lends an additional measure of exotic romance.
While Gouda Dutch ceramics can often exhibit beautiful forms—and, indeed, this pitcher does have a graceful silhouette—each piece of pottery distinguishes itself based on the coloration and design of its beautifully hand-painted decoration. And this pitcher's painting is sublime. The unexpected combination of blues, mustard and olive green create a sophisticated palette, the height of understated refinement.
Most Gouda pottery (pronounced "How-da," like the cheese) brandishes a higher-contrast color palette. These color choices create a bolder, more prominent appearance—a louder visual "pop," if you will. Instead, the piece above doesn't demand attention. It sits in its appointed place, waiting for those with superb taste to recognize its quiet sophistication.
This French Art Nouveau vase, made by Revernay in 1896, enjoys an interesting ancestry, at least as ceramics manufacturing goes. About a century earlier, in 1790, Nicolas-Henri Jacobi opened a ceramics workshop, Utzschneider et Cie, in Sarreguemines, France (in Moselle, not far from the Bavarian border). When an early customer, Emperor Napoleon Bonaparte, started placing orders, the company's fortunes were boosted considerably. Decades later, in 1871, Bavaria (and Prussia and several smaller Germanic regions) consolidated to form modern Germany—which promptly preceded to annex the Moselle region of France. When this happened, Utzschneider opened a second workshop in Digoin, about 280 miles deeper into central France. Here they began producing works under the Revernay name.
Every now and then I find a piece—a mystery—that is quite unlike anything else I've collected in the past. I'm certain that the piece "has age." I perceive that it has quality. And I know that I like it aesthetically. But the questions remain: who made it, where and when? In time, I've learned to trust my intuition and make the leap. Only rarely have I come to regret such a purchase. This vase, which I found in America, is the second such piece I've uncovered in 30 years. The first, purchased 25 years ago, is identical except for its matte chocolate brown glaze, a bit crazed (and it's safely ensconced in my private collection—alongside the other chocolate brown...
A loving thank you to all the women—mothers, step-mothers, aunts and educators—who have devoted their lives to nurturing and developing us. Perhaps the most important of all vocations, mothering mostly toils-on despite too-infrequent expressions of gratitude (and even lower pay). The best mothers will admit, rather promptly, that their reward can not be measured in words or money. Nevertheless, we grateful beneficiaries, could certainly do a better job of expressing our humble gratitude.
The Danish Modernist sculpture, shown above, captures an ursine mum lifting her little one in a moment of playfulness. It is sculpted in stoneware by Knud Kyhn for Royal Copenhagen and is dated 1957.
Decorating pottery is an age-old art form. The Ancient Egyptians, Greeks, and Romans were hand-painting pottery thousands of years ago. Add to that list the Chinese and the Pre-Columbian Americans (North, Central and South). In the last 500 years, stunning examples of painted ceramics were to be found in Italy, Spain, Portugal, France, and Germany. Bohemia, Austria, and England produced great decorated pottery in the Nineteenth Century. And the Dutch had a centuries-long practice of well-painted ceramics. One immediately thinks of the Netherland's blue and white "Delftware," their attempt to duplicate the sublime and fashionable (and costly) Chinese ceramics which the Dutch might otherwise have imported from Asia.
The Roseville "Carnelian" line was introduced in 1926. It came in two color ways: a medium blue drip over light blue, and a dark golden drip over light wheat. Apparently, the line did not sell well, prompting Roseville to "re-glaze" some of the overstock with mottled, organic, curdled glazes: gold with rose and blues with greens. In many cases, one can still perceive the original dripping glaze around the shoulders of the form. The combination of glazes—done at different times—leads to a great deal of variability within the output. Truly, no two pieces are the same. Nevertheless, the Carnelian II pieces have a strong aesthetic identity. Until I was informed of the curious circumstances of the Carnelian II line, I...
For many, Easter is understood as a single day: the Sunday on which Christians celebrate the resurrection of Jesus. But Easter (or Eastertide) is actually a fifty day period of celebration—from Easter Sunday to the Pentecost ("penta" derived from the Greek word for "five" -- in this case, five periods of ten days). The first eight days of Eastertide are called The Octave of Easter (Easter Sunday through the next Sunday). And the day after Easter is called Easter Monday. The name "Easter Monday" has been in-use since the Early Renaissance (the 1400's). It has never been much-celebrated in America, however, it is an important national holiday in many predominantly-Christian countries around the world. It extends the Easter holiday, allowing...
Good Friday is the day on which most Christians commemorate the condemnation, torture and execution of Jesus. It is the most solemn day of the Christian calendar. For the faithful, however, the brutality and iniquity of the events are tempered by the truth to come: it is only after Jesus has died that He will rise from the dead. While Good Friday is a somber remembrance of Christ's loving sacrifice, Easter is the event which provides Christian salvation.
For Christians, may you have a Blessed and Holy Easter. A Happy Pesach to the Jewish faithful. And a warm Ramadan Mubarak to Muslims who are celebrating their holy month of prayer, fasting and good works.
It's Palm Sunday, one week before Easter. Palm Sunday commemorates the day when Jesus entered Jerusalem—to great fanfare—knowing that much was to happen over the coming week. On Holy Thursday, He celebrated the Passover with his apostles. On Friday He was condemned, abandoned, tortured, executed and quickly laid in the tomb before sunset. Then, on Sunday morning, He rose from the dead—appearing first to His follower, Mary Magdalene, who had come to the burial site to finish preparing His body for interment. At Christian celebrations today, congregants hold-aloft blessed palm leaves (or whatever greenery is available and affordable in their particular region). After services, the greens are taken home and mounted in places of prominence—for example, behind a cross or...
During the Victorian Age, there was an object dedicated to every possible use. This was especially true when it came to food service: celery vases, spoon warmers, berry bowls. But personal care and tidiness also enjoyed a wealth of strange and specific objets, like the French ceramic "comb dish" shown above. This ceramic covered bowl, decorated with a handsome Greek Key transfer print, would be stationed at a vanity table or upon a dressing table—providing a place to store one's comb between uses. It would contribute a measure of orderly process to one's morning ablutions. At a woman's grooming station, there also would be a "hair receiver," a small canister into which she could push the loose hair pulled from...
At 11:33 am (Eastern Time) today, the Earth experiences the Vernal Equinox—that Springtime moment when the Earth's tilt is perfectly balanced against the Sun. Neither the Northern Hemisphere nor the Southern Hemisphere leans closer to the Sun. The result: the lengths of day and night (on this date) is almost equivalent all around the globe. It will also be the first day of Spring in the Northern Hemisphere (and the start of Autumn in the South). From this day forward, for three months (until the Summer Solstice), each day will have increasingly longer sunlight hours than darkness. Today is also the first day of the sun sign Aries. Aries is the first sign of the Zodiac—a fact befitting of Aries' hard-charging...
May the road rise-up to greet you. May the wind always be at your back. May the sun shine warm upon your face and rains fall soft upon your fields. And, until we meet again, may God hold you in the palm of His hand. A hearty greeting on Saint Paddy's Day! And an Irish Blessing, too. For such a small country, Ireland has certainly dispersed its countrymen far-and-wide. Most of this, of course, reflects the Emerald Isle's tortured history—and the need for the much-oppressed Irish to seek better conditions and futures. Isn't that the reason most people move far from home? Two of my grandparents, barely out of their teens, left their humble dairy farms in Ireland to seek work...
Summer is still months away. In fact, Spring has not yet begun. But we can begin to dream of the idyllic Summer season: the warmth and the smells, the buzz of insects and the long, carefree afternoons. On reflection, I'm not quite sure when I last enjoyed a "long, carefree afternoon." Considering the news, the virus and the General National Tension, "carefree" has been a rare indulgence since . . . about . . . 2016. But the point isn't to have an idyllic day; the point is to dream of one. And that's where this piece of pottery comes-in. This "Empire Ware" English Art Deco ceramic jug was made in Stoke-on-Trent and is dated September 1933. The form is pleasant enough....
Lush "pools" of color—emerald, jade, forest green and turquoise—dapple and slide-down the walls of this Brush-McCoy vase from the 1920's. The company called this glaze treatment "Onyx" and it was produced in various shades of reddish-browns and bluish-greens. The name, Onyx, is apt. Like the namesake gemstone, each piece is a unique and random (mostly uncontrolled) blend of colors. No two pieces are the same. The piece above really presents the rich and complex coloration and depth of the polished gemstone. The process involves multiple applied glazes which "activate" during the firing process, running, blending and creating new and unplanned color effects.
A bas relief bouquet of flowers and leaves rises from under a mottled melange of glazes—greens, blues and browns—on this English Art Deco flower vase from the 1930's. This is another good example of the "soft side" of the British Art Deco Movement. Whereas Art Deco often exhibited a streamlined, industrial and sharp-edged aesthetic of Futurism, the Brits seemed to develop the gentler, comforting side of the movement, as shown in the vase pictured here.
The vase, though indistinctly marked, exhibits the hallmarks of British Art Deco.
British design from the Thirties—the English Art Deco movement—has a certain comforting "roundness" to it. Whether looking at graphics (like period Underground transit signage) or industrial design (like electrical household appliances) or ceramics works (like the decorative pitcher above), the British take on Art Deco mass production seems to have accentuated the "softer side" of the movement. Other countries, France and America come to mind, communicated a more angular, streamlined and "bold future progressiveness" in their Art Deco design—which is beautiful, futuristic and hopeful. English Art Deco—with its gentle plumpness, soothing colors, and the safety of no sharp corners—often puts me into a warm, relaxed and nostalgic mood. The "vase" above, fashioned in the form of a large pitcher, bears a softly-overinflated appearance—distended...
It's been a rather cold Winter, at least here in Pittsburgh. Lots of snow—which melts and refreezes into sheets of ice. But, despite the unpleasantness of the season, there is a cleanness to the Winter which I find refreshing (especially after the blinking energy of the Christmas Holiday Season). Nothing looks more innocent and pure than newly-fallen snow. Sound is muffled under the frosty, thick white blanket. The cold quells the smells which waft in the other seasons. And the chill drives many people indoors—making the streets and sidewalks just a little more peaceful.
The turquoise and white glaze on this West German Modernist piece—which appears to melt and drip down the sides of the vase—wears a certain wint'ry look.
