The Ancient Etruscans flourished in the 1,000 years before Christ. They were a highly-advanced people—technologically, artistically, economically and socially. They lived North of Rome, including in what would be considered Tuscany today. The Etruscans became very wealthy thanks to their mining and robust trading throughout the Mediterranean. All this money (and travel) allowed them to experience foreign cultures and purchase exotic artworks which, once imported, began to influence their own artistic culture. The Etruscans had ample access to raw metals and became exceptional metalsmith, especially in copper and bronze. They also were proficient in crafting decorated terracotta works—preferring this earthenware clay to marble. Though they were sitting atop an enviable marble deposit, the Etruscans did not prioritize stone working; It...
Oh, these times in which we live! So much is so depressing. Or distressing. Or heartbreaking. One such (relatively minor) torment is the seemingly-endless cold which has settled upon us in the Northeast. For too many days, temperatures have remained stubbornly below the freezing mark. On several days, we haven't exceeded the Teens. But, recently, I have begun to notice that the days have become noticeably longer—that is, the daylight has been disappearing ever later and later. More light is certainly a sign of hope—as it always has been. Shown above, a pair of Victorian English brass candlesticks, circa 1860's - 1880's. This was a time when no homes had electricity. And, while some homes may have had gas...
With forty days 'til Spring, it's time to share a little preview of what's to come. Shown here, a pair of Art Deco cast iron bookends from the Thirties. A young lass—donning a bonnet and "morning glory" dress—waters her garden, coaxing her blossoms forth. The cast iron was plated with a copper finish (which, by now, has been well-darkened in the nine decades since they were crafted). The majority of the bookends we find—especially those which might be for children—seem to feature boys and otherwise masculine themes: pirates, Indians, lions, sailing ships. I suppose it was the times (the Twenties and Thirties) and such "heroic" themes were considered suitable for the proper development of a young man's character. We find...
At more than 12,000 feet tall, Mount Fuji is probably the most iconic national symbol of Japan. It is also one of the world's most identifiable mountains. For centuries, it has inspired people—worshipers, climbers, artists and poets. Standing sixty miles from Tokyo, Mount Fuji is classified a "stratovolcano"—that is, a conical mountain built-up by the flow of lava, over years of eruptions. The volcano is remarkably symmetrical—and capped with snow for approximately five months a year. It is also an "active" volcano, having last erupted on 16 December 1707. Japan's frequent earthquakes are always concerning for residents living near Mount Fuji; scientists speculate that seismic activity could possibly trigger a new eruption. To the north of Mount Fuji lie the...
Welcome, February, and your regal birthstone, the Amethyst. In the past, amethysts were considered one of "The Cardinal Gemstones"—alongside diamonds, rubies, emeralds and sapphires. Prior to the Nineteenth Century, amethysts had only been discovered in Russia and Austria, thus, they were very rare (and very expensive). And their deep purple hue—the color of royalty in the West—made them a favorite with Medieval monarchs. Even to this day, Anglican and some Roman Catholic bishops wear an amethyst in their episcopal rings. According to Ancient Greek mythology, Dionysus—the god of wine—was in-pursuit of a beautiful virgin, Amethystos. Her prayers to remain chaste were answered: before Dionysus could catch her, she turned into a beautiful white stone. In his grief, Dionysus poured a...
We end the month on a chilly note. When I arose this morning, it was a brisk 11° below zero. Whew! I noted that Moscow was warmer this morning by 7 degrees. Luckily, today's forecast promises a rocketing-up to 15° Fahrenheit—a temperature which I've begun to consider balmy. Despite the cold, the winter can be beautiful (until it's not). The snow can be so pristine (until it's not). And the season can be fun (until it's not). Like every other season, this one, too, shall pass. So let's enjoy any of the beautiful parts. Shown above, a French Art Nouveau vase by Pierrefonds. Its classic, Chinese-inspired shape is decorated with a crystalline cornflower glazing which drips randomly down the cool,...
Blue and white is always a nice color combination, whether observed in a wintry landscape, a fluffy Summer sky or a West German Modernist bud vase. This dappled beauty was made in the Sixties or Seventies by Jopeko. The company was founded in 1848 as Krug und Abflussrohr Fabrik (Pitcher and Drainpipe Factory) in 1848 by Johan Peter Korzilius. Initially, they made ceramic industrial containers and sewer pipes in Ransbach-Baumbach, a recognized center of the Prussian (and later, German) ceramics industry (half-way between Frankfurt and Köln). After World War Two, they renamed their company after the founder (Jo-Pe-Ko) and turned their attention to the growing home decor segment of the ceramics industry. Heinz Martin came aboard as chief designer during...
As the icicles grow from my gutters—dripping dagger-like and dangerous—I cannot decide if I love them or hate them. They're pretty, catching the light, like earrings glittering at a ball or crystals sparkling on a chandelier. But they are long, sharp and adding weight to my gutters. Occasionally, I give them a swat with my snow shovel, shortening them and removing their sharp points. After the swing, I always feel like I've just destroyed something beautiful. This French Art Nouveau vase, shown above, was made by Pierrefonds at the Turn-of-the-Twentieth-Century. It features multiple blue glazes, dripping languorously over the high shoulder and down the sides of this classic vase. It's a touch of wintry beauty—clean, cool, crisp—and so much like...
The snow has fallen; now comes the bitter cold! We are projected to endure temperatures in "the negative teens" over the coming weekend (and into the following week). Luckily, I've done a good job of removing the snow while it's still soft and powdery. I do not want it "taking root" for the next six weeks. Rather than fight the cold (how does one do that?), let's celebrate the chill with a selection of antique ceramics which capture the frosty beauty of the Winter season. Shown above, an American Arts & Crafts two-handled vase made by Fulper in Flemington, New Jersey (c. 1910). The organic, dripping, crystalline glazing is highly-reminiscent of the French Art Nouveau Pierrefonds pottery. At first glance,...
The wintry blanket of snow does not stay pristine forever. In fact, it soon changes form while the snow mixes with, blends into and is absorbed back into the Earth. Shown here, a West German Modernist vase by Ceramano (located in Ransbach-Baumbach, Germany, about 55 miles Northwest of Frankfurt). The workshop was founded in 1954 by Jakob Schwaderlapp, the same man who previously had established Jasba (in 1926). Jasba had always been a mass production-oriented operation, utilizing less artisan handwork (per piece) and generating a high volume of affordable output. After World War II, with the boom of post war Modernism, Schwaderlapp launched a new workshop in order to bridge the gap between expensive, high-touch studio production and the less...
We saw this dappled gray and white glaze, shown above, a couple of days ago on a different, hand-thrown piece. Here it is used, to great effect, on a lotus-form vase by Pilkington Royal Lancastrian. The piece straddles the Arts & Crafts and the Art Deco Movements—and was made in the Twenties or Thirties. Instead of being hand-thrown, on a potter's wheel, this one was cast in a mould. Note the bas relief "lotus petals" embossed upon the sides of the vase (a silhouette inspired by classic Chinese ceramics).
Though the vase, shown above, features a very simple and classic form (sometimes called an "oil jar"), its glazing offers a sophisticated and unexpected twist: a delicate curdling upon the high shoulder of the vase. It is a look reminiscent of snow atop an icy surface—perhaps snow atop lake-top ice? Fallen, melted, refrozen and crackling? It is the smallest embellishment which adds just the right touch to an otherwise simple form and color. It was made by Scheurich, in West Germany, in the Seventies or Eighties.
Snow always looks wonderful against a bright blue sky. Alas, however, snowy days might also be dour. This English Arts & Crafts vase is finished with a wonderfully sophisticated, dappled white and grey glazing—reminiscent of a cloudy winter day. It was hand-thrown by Edward Thomas Radford for Pilkington Royal Lancastrian in the 1920's or 1930's. One can still see (and feel) the potter's fingermarks which encircle the vase—permanently impressed within the soft clay as it spun-about on a potter's wheel. Edward Thomas Radford began his career training at Wedgwood in Burslem, Stoke-on-Trent. In 1903, he was hired to throw pottery (by hand, on a wheel) for Pilkington Royal Lancastrian in Manchester. He was the chief thrower at Pilkington until he...
It's here! The snow is forecast to begin sometime during the night. While I have not seen salt being scattered on the roadways, I have seen electronic signs on the highway banning commercial vehicles after midnight. They say it's going to be a big one. We can do nothing better than go with the flow. In the end, you can't beat Mother Nature. Speaking of snow, let's share some of our favorite "snowy" vases—vessels crafted and finished with wintry, snow-like glazes. It will be our small celebration of the snow. Shown above, a Mid-Century West German Modernist "genie bottle" vase by Carstens-Tönnieshof. The rare white and grey pumice-like glaze has been called a "glacial glaze"—and it does look like freshly...
The weather will soon be frightful—and the slip'ry roads despiteful. So rather than have a scare—hibernate (through it all) like a bear. With the big snow coming, people around here are planning their weekend hibernations. Larders are being filled, salt is being stashed, and tall boots are being pulled out of storage. Perhaps we are imitating those classic hibernators, the bears. In the Summer and Autumn, bears gorge themselves in preparation for the annual winter hibernation (more accurately called a "torpor"—a state which alternates between deep sleep and a groggy haze, in which they may move around within their dens). Bears need to fatten-up to endure a long period during which they may not eat at all. The length...
The weather reports sound daunting: snow, ice, snow, cold and more snow. This weekend, it looks like Mother Nature will be reminding us who's in-charge. As for the grocery stores, they're mayhem—not to mention, stripped bare. The best thing that we can do is to plan ahead, stock-up, batten-down, and prepare for a nice long weekend of Netflix and cassoulet. (That and a lot of shoveling.)
Shown above, a Modernist French crystal paperweight, under which is embossed a sparkling, crystalline snowflake. It's a handsome expression of the season—cold, crisp and clean. It's also a year 'round reminder of the snow (to all those who love their winter sports).
On this day in 1401, Europe's first Central Bank, the Taula de canvi, began operations in Barcelona, Spain. The previous year, the city's Consell de Cent (roughly, "Council of 100") chartered such an institution in order to control and stabilize the city's fiscal policy and economy. While the Taula de canvi was much reduced in influence over the centuries, it remained in-operation until 1853 (at which point its remaining operations were absorbed into the newer Bank of Spain).
While a "Commercial Bank" serves the general public (holding customer's deposits and making loans for a profit), a "Central Bank" is usually a government institution which issues currency, regulates banking, and aims to create economic stability by managing monetary policy.
Amongst the most respected moral voices in the modern world was that of Dr. Martin Luther King, Jr. Today we celebrate the federal holiday honoring this American hero. Like so many historic icons of moral leadership, Dr. King's "message" has been boiled-down over time—pruned and streamlined—which deprives us of the complexity (and completeness) of his teachings. Most Americans are familiar with King's uplifting orations against racism and bigotry. But King also spoke frankly about economic justice and made searing indictments against the Vietnam War. That he viewed earthly justice through the lens of divine justice makes his message even more compelling to some people. Today, we have other American religious leaders—specifically Pope Leo and certain brave cardinals—who are weaving-together a...
In the late Nineteenth and Early Twentieth centuries, as the Nordic countries yearned to define themselves—their cultures, their values and their borders—Mother Nature was always foundational to the Scandinavian psyche. Nature had long been considered a healing force in Nordic cultures. At the Turn-of-the-Twentieth-Century, Vitalism became a fashionable philosophy: the belief that Nature's "life force" animates and connects all living creatures. Vitalism proposed that Nature had the power to cure physical ailments, restore healthful vigor, and to (even) reform society's morality. Such important social currents became manifest in the artworks of the period. Vitalism viewed nudity (especially outdoors) as natural and healthful—a return to mankind's innocence and purity (perhaps a return to Eden). Furthermore, Vitalism was a reaction against (what...
In the Nineteenth Century, the Nordic countries—Denmark, Norway, Sweden and Finland—sought to promote their individual cultural identities through art, craft and design. Finland, for one, remained under the thumb of Russia (until 1917). Norway was bound-to (and dominated by) Sweden (until 1905). During this time, artists and designers in each country mined their histories, arts and folklore to revive aesthetic elements which would help foster a unique national identity. In Norway, the Vikings have always been a compelling symbol of that country's ancient culture. The Celtic aesthetics of the Vikings looked great, was unquestionably Norwegian, and lent itself to the precepts of the broader Arts & Crafts movement which was so popular throughout Europe. Locally, it was called Jugendstil or...
When I think of Scandinavian paintings, the first thing which comes to mind is landscapes. I am so enchanted by the Nordic painters' depictions of Northern light that landscapes, naturally, appear top-of-mind. Furthermore, the Nordic embrace of nature—specifically the healthful, revitalizing outdoors—made landscape painting a particularly important element of Scandinavia's painterly oeuvre. But there are wonderful Nordic portraits, too. I remember visiting the (old) Norwegian National Museum of Art in Oslo. There was a gallery devoted to the works of Edvard Munch. While the crowd jostled in front of Munch's iconic painting, The Scream, I enjoyed free, unrestricted inspection of the dozen-or-more full-length portraits which lined 95% of the room's walls. And Munch's portraits were good (a revelation to me,...
The Art Nouveau Movement was manifested in most European countries, starting in the last decades of the Nineteenth Century until (approximately) World War One. Although Art Nouveau had differing personalities in differing locales, there were several through lines which informed the movement wherever it was practiced. Chief amongst these principles was a return to honorable handcraft—and the revival of specific regional themes (which could be ancient, historic, literary, or artistic). This made the Art Nouveau Movement especially adaptable to nationalist movements—aesthetic fashions which reinforced the culture and national identity of independent countries (or those who wished to be).
The bulk of David and Susan Werner's Scandinavian artworks (and artful items)—which were beautifully displayed at the Frick Museum Pittsburgh—were made in the Late Nineteenth and Early Twentieth Centuries. This comports with a period of vigorous national self-expression on the part of Nordic countries. They were eager to promote their identities as patriotic, independent countries—or countries which wanted to be independent from each other and from the dominant Russian Empire. Nordic designers and artists looked-backwards to their country's ancient folk designs, aesthetic themes and tales from local folklore. This practice of "looking back" also occurred within various worldwide Art Nouveau movements, which overlapped with the period in question (and which we'll look at tomorrow). Today, we'll share some items with...
When I find myself marveling at an astounding museum exhibit, I'm usually standing in New York City—if not farther afield. But, just this week, I found myself mesmerized by wonderful art right here in the Steel City. The Frick Museum, here in Pittsburgh, presented a compelling exhibit called The Scandinavian Home: Landscape and Lore. It comprised a collection of over 100 pieces—paintings, pottery, textiles, furniture and other decorative objets—from David and Susan Werner's collection of Scandinavian works of art and craft. Of course, the art was beautiful. Just as important: the Frick Museum displayed the works in the way art always should be displayed—paintings, hanging over period furniture, resting upon period rugs, near collections of period ceramics. Most artists don't...
Let's end our week of "bearing-up" with this whimsical piece by Knud Kyhn for Royal Copenhagen. Most of the sculptor's work was highly-naturalistic, shunning cute displays of anthropomorphism. This Danish Modernist piece seems to be one of Kyhn's few pieces which incorporates a bit of fanciful playfulness. A mother bear, while rolling on her back, lifts her cub aloft. It captures a tender moment of bonding between mother and offspring. And it captures the ursine energy of the pair (not to mention the cub's frantic wriggling). The piece, heavy and large, is dated 1957 and is finished in the classic Sung Glaze by Patrick Nordström. It would make a wonderful gift for a new mother. Or a cherished gift from...
Here's something a little different—a cuddly teddy bear, relaxing Après-ski. His knitted snowflake sweater will look great in the lodge—and keep him toasty-warm next to the fire. He is covered in faux mohair fur. His articulated joints make him posable and the little felt pads on his hands and feet add a nice, classic touch.
It's only Day Ten of the New Year. And the wild developments just keep-a-coming! As we "bear" with this New World Disorder, we are sharing some of our favorite bears, all currently in-stock at LEO Design. Knud Kyhn's sculptures of wild animals are highly naturalistic. He doesn't sculpted "cutesy creatures" or dabble in much anthropomorphism. His animal sculptures display a realistic, simple and confident Modernism. The sculpted grouping, shown above, depicts a tense scene—far more dramatic than most of Knud Kyhn's renderings. An agitated bear—alarmed by a snake, coiled and ready-to-strike—exerts a Mannerist twist, straining to face the threat. With simple, spontaneous and (somewhat) Impressionistic sculpting, Knud Kyhn was able to imbue this work with a great deal of action...
Here is another bear sculpted by our Danish friend, Knud Kyhn (1880-1969). This large, heavy and compactly-modeled form catches the startled expression and ursine energy of a lumbering bear. Is she just sitting down? Or trying to get-up?
Knud Kyhn often glazed his pieces in Royal Copenhagen's "Sung Glaze." This dripping blend of colors—browns, creams, blues, greens and oranges—has an earthy, organic and highly-variable appearance. The glaze was developed by Patrick Nordström, a brilliant ceramicist, who distinguished himself through his mastery of complex glazes. His Sung Glaze was inspired by earlier Chinese glazes—which had been intriguing the Western world for centuries.
Bronze is such a nice metal. There was even a period called the Bronze Age. While bronze was initially developed for making tools and weapons, it was also a wonderful medium in the hands of artists. Sculpture, furniture, lighting and other home furnishings have been (and still are are) made of bronze.
Shown above, a chubby little "shelf-sitter" teddy bear. He is impressionistically modeled, cast in bronze and finished with a dark patina. His little legs were designed to allow him to sit on the edge of a shelf—legs-a-dangling. Place him within view and he'll keep you company at your desk or reading chair.
So much going on! And the year's only a week old! As for me, I'm bearing with it as best I'm able. So let's bear it together! This week we present a selection of handsome bears, all currently in-stock at LEO Design. Knud Khyn was a Danish artist born in 1880. He worked in various media, although, the lion's share of his work was creating stoneware sculpture—and most of his career was working for Royal Copenhagen (during the Art Nouveau, Art Deco and Danish Modernist periods). As one of Royal Copenhagen's premier artists, Khyn designed numerous sculptures in his signature style—mostly wild animals and the occasional mythical creature. Knud Kyhn would sculpt the original models, then supervise their subsequent moulding...
There's a vicious demon prowling the world—devouring Democracies where they still remain. Even some countries which once proudly boasted of their Freedom—countries whose soldiers fought and died to preserve Democracy—are threatened by malignant actors. Alas, too many citizens (and their political party) are content to stand-by silently, watching Democracy be dismantled and Authoritarianism embraced. This assault is happening in all "corners" of the World.
Today is J6—a day when Democracy-loving patriots must recall just how close the country came to Authoritarian domination. It's a lesson worth contemplating. While that one-day endeavor did not (immediately) succeed, its goal is slowly and incrementally being realized—one Democratic building block after another.
Twelfth Night, 5 January, refers to The Twelfth Day of Christmas—which is the evening before Epiphany (6 January). Traditionally, it was a time of festive merriment—with just a little bit of sanctioned mayhem. Some believe that William Shakespeare's play (Twelfth Night, or What You Will) was requested by Queen Elizabeth I for that evening's entertainment (in 1601 or 1602).
The heavy, cast iron bookends, shown above, were made over 300 years later (in the 1920's). A golden bust of William Shakespeare floats against a textured, bronze-colored backdrop. It is handsome, stately, and terrifically practical. They are the perfect gift for any educated book-lover—aesthetic and useful.
Our beloved shop dog, Benji, turns thirteen today! Sure, he now wears considerably more age spots. And he snores and coughs a bit more these days. But we still see glimpses of his puppy within. He runs, plays—and eats—with as much gusto as he ever has. Benji spent many a workday, for four years, sleeping in his door-less crate behind the cash wrap at 543 Hudson Street. He'd pop-out, now and then, to greet a friendly customer or her dog. Sometimes the shop bell on the door would (inexplicably) catch his attention. But, by and large, Benji was the single LEO Design staffer granted a permanent rest break. He could lead-the-way to the store and he knew the standard, twice-daily...
Though the days are getting noticeably longer, who can't use even more light? This pair of Mid-Nineteenth Century Victorian English brass candlesticks is a handsome and practical way to bring more light to your table. The square bases are an uncommon design. And the faceted "knuckle" along the shaft makes them easier to carry securely.
January is here and she brings her handsome birthstone, the Garnet. Garnets are not the most exclusive of stones. In fact, some consider them "a poor man's ruby." But I have always loved the dark, red color of the stone. And I like the way that garnets are often assembled—en masse—within gold Bohemian settings (a style called "pavé" in which many small stones are cobbled together, like paving). Garnets are actually a range of stones with differing compositions. They are most often recognized as deep red, though many other colors can be found. Blue garnets are the rarest variety. Garnets are mined in India, Sri Lanka, Myanmar, Russia, Africa and Madagascar, and within Canada and the United States. Some "species"...
Each New Year offers the promise of change: improvement, recalibration, redemption. Most years, my resolutions have been centered on selfish personal development (usually diet and exercise). Maybe this year.
In these past few years, each New Year has begun to provide me also a glimmer of optimism: perhaps this will be the year where our country (and the world) turns a corner, does right, embraces goodness, and seeks redemption. Maybe this year?
May you have a New Year of health and happiness. May good things happen to you and to those you care about.
And thank you for your support of LEO Design over the past year.
Every year, just before New Year's Eve, we get a small rush of customers buying champagne and cocktail glasses for their last night gatherings. It seems they are resolved to up-their-game before the clock strikes twelve. Above, see a set of eight (plus one) handsome crystal champagne or cocktail stems. Made in the years just after World War Two, they have a corseted, "tulip form" bowl—which provides visual tension to the design and slows the release of the champagne's bubbles. The softly-curving lip makes the glass a pleasure (and a little easier) to drink from. And the faceted stem gives the glass a "crisp handfeel," making it easier to control the vessel. A stem, of course, prevents the transfer of...
At LEO Design, we always have carried a mixture of Handsome Gifts—some of them antique, some of them newly-crafted. But, because of our large cache of antiques, we have always been careful about not carrying contemporary items which might be confused as an antique. While we do not want people to feel misled, we also are proud to lean-into the excellent craftsmanship of contemporary artisans (when we find them). Thus, very few of our contemporary pieces were outright reproductions, posing as antique items. One rare exception is a line of (wonderful) frames—gold-plated, enameled and hand-set with Swarovski crystals. Consider the "Imperial Gold-Plated" frame shown above. I have loved this line of frames from the moment I first found them. They are...
It's enticing to believe that distinct aesthetic schools start (and stop) on a particular day in history. For example, that the Renaissance ended one morning and Mannerism began that same afternoon. But artistic movements—and the human artists who create them—don't stick to hard-and-fast timetables. Elements of one movement (say, the Aesthetic Movement) still may be visible in the next school of design (say, the Arts & Crafts). Humans—including artists (especially artists)—are often driven by their own creative wills and temporal needs, not the precisely regimented timetables of academicians who will follow in later years (or centuries). It is also true that one nice antiquity may have the "visual genetics" of two or more aesthetic schools (to successful or unsuccessful effect)....
I have always loved the Greek Key decorative motif. On pottery, on glassware, in architecture or on photo frames (like the one shown above), a little band of Greek Fretwork can never be too much. Often, it's just enough. A Greek Key is a continuous decorative line which "meanders" along an unbroken and repetitive pathway of right angles—always moving forward, taking frequent 90° turns (in both directions) and sometimes undergoing temporary switchbacks. Though a Greek Key almost always progresses in a directional line, the right angles create an interlocking, maze-like appearance. The unbroken line can be interpreted to represent unity, infinity or continuous flow. Sometimes two (or more) Greek Key lines are "interwoven" to create a complex fretwork—highly elaborate but...
Simply put, brass is an alloy (a metal mixture) of two-thirds copper and one-third zinc (although these proportions can vary, and other metals introduced, to create a variety of desired effects). By changing the composite metals (and their proportions), brass can be manipulated to be better suited to heat, salty conditions, to affect the coloration, or to make a better-sounding musical instrument. Objects made of brass-like alloys have been found since ancient times, however, the proper scientific understanding of brass (and brass-making) really coalesced during the Renaissance. Before that, the brass mixtures were more crudely formulated. What became understood during the Renaissance was the importance of trapping zinc vapors by covering the crucible (the large pot in which metals were...
Boxing Day—the day after Christmas—is a national holiday in England and in many of the British Commonwealth Countries around the world (that is, those countries which were once British territories). Boxing Day was the standard day off granted to the household servants of British aristocrats (as staff were expected to attend their employers on Christmas Day). On 26 December, servants would receive "boxes" from their masters containing food, money and other gifts. It was also a day when the poor might receive alms—monies collected by the Church in alms boxes. (Recall the carol about "Good King Wenceslas" who brought charity [alms] to the needy, through deep snow, on the Feast of Saint Stephen—26 December.)
Wishing all a very Merry Christmas
—and a New Year of Peace and Contentment.
Many thanks for your support throughout the year.
Fondly, Your Friends at LEO Design.
Christmas Eve was always a special night in the LEO Design shop in Greenwich Village. We always stayed open until 10:00 pm. Most of the day's Holiday Hustle already had died down by 7:00 pm.. And the customers who did come in—usually after dinner—were in a good mood and, often, feeling little pain. They were relaxed because they were staying in the city for Christmas. Nowhere to go but home! These customers might find a gift for someone they were seeing at New Years or, better yet, something nice for themselves. We used the quiet hours to fill-in merchandise, re-organize as needed, and change the window before Christmas Day. This always meant installing our pair of Italian polychromed terracotta angel...
After a week in the single digits, and three days of snowfall, it looks like Christmas Day will be 55° and rainy. A White Christmas does not seem to be in the cards. Oh well, there'll be plenty more time for snow. Plus, we have these handsome French crystal "snowflake" paperweights—a year 'round reminder of the powdery white stuff.
These paperweights were cast in France in the 1980's. A dimensional lacy snowflake glistens softly under the paperweight's dome of crystal.
We live in a modern world of alarms, alerts and other audible signals—many of them emanating from the electronic device waiting in our back pocket. For good or bad, we are now conditioned to respond immediately to any such interruptions—as the signal pierces not only our ears, but our consciousness. Such "call systems" are not new. In the old days, bells and whistles were used to call people to a purpose. Mistresses would ring a little bell when she needed help dressing or wanted the tea brought in. Factory owners would blow a horn when a work shift was about to begin. And teachers would ring a large triangle when it was time for class to assemble. In these old-time...
Despite several 7° days—and many inches of snow—Winter only begins today. It is the Winter Solstice, the day when the Northern Hemisphere is most tipped-away from the Sun in the Earth's annual "axis-wobble," toward and away from the Sun. That makes today the "shortest day of the year," the day with the least amount of daylight. And, starting tomorrow, the daylight will begin to shine longer and longer. But the coldest months of the year are yet to come. The mercury thermometer, shown above, was made at the Turn-of-the-Century as an "advertising piece"—a giveaway to customers of the Gall & Lembke Optical Company, 21 Union Square, New York City. The thermometer is mounted to an engraved brass plate, attached to...
I dislike smoking. The idea of intentionally inhaling smoke into one's lungs is mystifying to me. Despite this, I frequently like the smokers themselves—and I have always appreciated the elegant accoutrements of smoking: ashtrays, tobacco jars, smoking stands, cigarette holders. The Spanish cigar cutter, shown above, is an example of the aesthetically-pleasing tools a smoker may require. The cutter has an industrial sensibility; in fact, the company which made it once manufactured office accessories. Today, such a cigar cutter would look good in any office or smoking den—whether that space has an industrial, traditional or Turn-of-the-Century sensibility.
Before the invention of the modern pen, an inkwell remained a necessity if one wished to write with ink (vs. writing in pencil). Such an inkwell could be as ordinary as a little stoneware pot. Or it could be as luxurious as a golden-enameled Fabergé fixture standing upon a Tsar's desk. Quills and pen nibs had to be dipped frequently into the ink while writing. In 1809, the first patent was issued for a "fountain pen"—that is, a pen which held a supply of ink within its body, thus eliminating the need for constant dipping. (Although variations of this design had been attempted and used prior to 1809.) Even fountain pens needed to be refilled now and then (sometimes at...
Organization! Each New Year begins with the same resolution: "This year I really need to arrange this . . . or set-up that . . . or create . . . whatever." Perhaps, in its very small way, this Turn-of-the-Century desk accessory will move you just a little closer to this goal. It was made to promote "K-Diamond" (a company which we have yet to identify). Perhaps it was given-away to customers or left-behind by a salesman after a sales call. The cast iron "feet" curl upward—like a pair of boots—providing two convenient spaces to store a pen or pencil. The central spring accepts note cards or letters. Because the spring slides back and forth, the holder will accept envelopes...
When is a tray not a tray? Perhaps when it's too beautiful to cover-up and use—like this Belgian Art Nouveau bronze tray. It was made by G. Huygens, a Belgian sculptor of Dutch ancestry. What this small tray does—superbly—is to provide a sculpted decorative accent upon a table top or low shelf. It would be useful for presenting business cards, offering small (wrapped) candies, or as a caddy for wallets and mobile phones (though I would avoid scratching it with coins or keys).
While the works of G. Huygens can be found at the occasional auction, there is a surprising lack of biography to be found about him.
You mean Winter hasn't even started, yet? No, alas, Winter still is five days away! Yet the wintry blast is upon us. I've shoveled (twice) and already pulled-out my fake-fur hat ("hat hair" be damned—I usually wait much longer to submit). It is cold and icy and Pittsburghers already are cancelling their plans—whether joyous or obligatory. I don't remember "The Snow" posing such a threat to New Yorkers. In New York, one cannot easily avoid the meteorological elements (or other New Yorkers). One must leave the apartment, alight the sidewalk, and walk (outdoors) to the store, to work or to the subway. Snow (or "pending snow") never seemed to affect New York denizens—with the exception of generating a surge in Chinese...
With only ten days left before Christmas—it's time to fly!
Each of these adorable, red owl ornaments conveys a different attitude, character and personality. They were carved of gourds in Peru. Each (differently-shaped) gourd is hand-incised, hand-painted, and darkened (in spots) with a flame. The process allows the artists to imbue each ornament with its own, unique personality.
Hanukkah begins tonight at sundown. Wishing all a Happy Festival of Lights! Every great now and then, depending on the idiosyncratic inter-cyclings of the Hebrew (lunar) and Gregorian (solar) calendars, there may be two Hanukkahs in one calendar year. 2025 is such a rarity! Last year's Hanukkah ended on 2 January (2025) and this year's begins on 14 December (2025)—two Hanukkahs in 2025! Even more strange (and more rare) is a year in which where there will be no Hanukkah at all. 3031 (more than a thousand years away) will be such a year with no Festival of Lights (although there will be two Hanukkahs in 3032). This has never happened before—at least not in the 16 centuries since...
Trays are amongst the simplest—yet most useful—of household accoutrements. Compared to carrying-by-hand, trays allow one to transport three (or four) times the amount of volume of that which must be carried. Trays can be fancy and decorative or they can be handsomely utilitarian (like the Edwardian English Oak Butler's Tray, shown above). I use trays when setting the table. In the kitchen, I pile-on all the plates, glasses, napkins, silverware, and serving pieces (pitchers and utensils). Using the tray allows me to make one trip to the dining room. I use trays when serving my guests (first drinks, then supper, then dessert). And the tray is useful for clearing-away the table at the end of the night. When I head...
Let's end our short parade of letterknives with this Rococo Revival specimen—made in England in the Teens or Twenties. Heavy and handsome, it would add dramatic punctuation to any nice desk. The Rococo Movement (of the 1700's) immediately followed the Baroque Period (of the 1600's and early 1700's). While both movements were expensive, opulent and theatrical, they pursued different purposes and each employed a different aesthetic vocabulary. The Baroque (which followed the Renaissance and Mannerist Eras) was a bold and masculine assertion of grandeur, drama, seriousness and dominance—coincident with the Counter-Reformation efforts of the Church which sought to define itself in contrast to the austerity of the breakaway Protestant denominations. The Baroque was noted for its massive scale, symmetry and...
The Japanese letterknife, shown above, is more like a handsome piece of jewelry than a utilitarian desk accessory. The chromed blade extends from a silver handle—ambitiously hand-engraved with scrolling botanicals. Furthermore, a retractable penknife folds into the handle—ever-ready to sharpen one's quill pen. This handsome letterknife was made in the 1950's.
Knights in armor continue to stir emotion, even in the modern mind. Dashing, brave and driven by honor, knights gallant hold an honored place in Medieval and Romantic literature. Perhaps it is the chivalry. Possibly it is The Quest. But let's not discount the fancy dress!
This Belgian Art Nouveau brass letterknife takes us back to the Days of the Chevalier. He stands posed atop the letterknife's hilt, mace in-hand at at-the-ready. He might bring a touch of Gothic interest (and usefulness) to the well-appointed desk.
This elegant letterknife boasts handsome, scrolling botanical engraving. It is silver-plated and comes with an elegantly decorated sheath. This letterknife is simultaneously understated and theatrical—reminiscent of a stage dagger. It was made between the world wars.
Letterknives have always been part of the mix of LEO Design's "Handsome Gifts." They are attractive, useful, and can be found in every imaginable aesthetic style. Letterknives often are a featured player on a well-dressed desk—perhaps like a piece of jewelry accenting a beautiful outfit.
Shown above, a handsome, vintage chromed letterknife with a heavy, turned, three-stone handle—perhaps alabaster. The shape is masculine and classic and it was made in the Eighties.
Eighty-four years ago today, Japan attacked Pearl Harbor, which was the strategic American naval base in Honolulu, Hawaii. It was a bold and reckless move which awoke the sleeping U.S. giant—which previously had been trying its best to ignore the March of Fascism in Europe. This unexpected, early-morning onslaught ignited a succession of actions which (for good or bad) would define America (and the World) for decades to come. Within 24 hours of the bombing, President Franklin Delano Roosevelt appeared before a joint session of Congress, asking them to declare war on Japan. Legally, Congress (not the President) has the sole discretion of authorizing war—a constitutional fact which FDR observed. FDR began his address—broadcast nationwide—with, "Yesterday, December 7th, 1941—a day...
Max Eckardt was born in Oberlind, Germany in 1890. In 1926, he and his brother Ernst, opened a glass ornament-making firm, exporting some of them to New York City (where they opened an office). Later in the 1920's, Max moved to New York City himself where he oversaw the importation of German glass ornaments. But the political scene in Thirties Germany was worrying—and Max anticipated that his source of German ornaments would soon be curtailed (and probably avoided by consumers). So, in 1937, Max Eckardt convinced Corning Glassworks to modify their lightbulb-making machinery to quickly mass-produce clear glass balls (ornaments). These plain glass spheres were shipped to Max who decorated them in his new plant in Wellsboro, Pennsylvania (some 35...
After World War II, many of our fiercest enemies became our closest trading partners. The 1950's saw a huge shift in worldwide manufacturing dynamics—especially when it came to inexpensive, low-tech, labor-intensive items. After the war, America (the victor) enjoyed a very different economic landscape than countries like Japan and Germany (the vanquished). America, which experienced no warfare on its soil (with the exception of Pearl Harbor) enjoyed an economic boom based on education, technology, and high-end manufacturing (houses, automobiles, appliances). Americans used the GI Bill to educate themselves and their wages began to grow. On the other hand, Japan (and Germany) were left devastated—physically and economically. Their countries lay in ruins and they were desperate to get their people working...
Glass beads—strung in a garland—are a wonderful decorative element on a tree, wreath, centerpiece or hanging in an archway. This garland, created in the Thirties or Forties, is eight feet long. Blown glass "diamonds"—colored in bright greens, blues and pinks—are interspersed with silver double-bead "dumbbells." The beads are crafted the same way glass ornaments are made: a glass tube is heated and mouth-blown into a metal mould (in this case, a succession of eight to ten interconnected beads). Once the mould is opened and the glass "tube" is cooled, the interior is "silvered," the colored beads are lacquered, and then the beads are cut-apart from one another.
In the Late-Nineteenth Century, after Industrialization had begun to take its toll on the German landscape, deforestation had made it impractical to cut-down sufficient numbers of living pine trees to supply the Christmas tree trade. Local craftsman began creating "feather trees" out of dyed goose feathers—which made them, essentially, the first "artificial" Christmas trees. Goose "biots" (that is, the split wing feather from a goose) could be wrapped around wire "branches," creating an attractive and realistic-looking pine branch. Several such branches were then fitted into a dowel trunk, well-spaced to leave plenty of room for the hanging of ornaments. These feather trees, reminiscent of white pines, first became popular in Germany in the 1880's. By 1900, German-Americans began using them,...
Cutting-down, bringing-in and decorating an indoor Christmas tree began in Germany in the 16th Century. For two or three centuries, these trees were decorated with candles, fruit and nuts. German immigrants to America brought the tradition with them in the 1830's. In the Mid-Nineteenth Century, in the German town of Lauscha, glass artists began blowing glass ornaments to hang on their Christmas trees. These mouth-blown balls—called "kugels" in Germany—could be colored or hand-decorated and, in time, they were made to emulate the shapes of the fruits and nuts which had commonly been used as decorations. German-born Prince Albert, consort and husband of Britain's Queen Victoria, helped popularize the fashion of Christmas trees in England. They were married in 1840, giving...
Today is 1 December, World AIDS Day. It is a day when the world advocates for the prevention and treatment of AIDS—and encourages scientific research to achieve those worthy goals. World AIDS Day was established by the World Health Organization in 1988 with the intent of recognizing the scourge of AIDS, commemorating those who have died from it, and supporting those who live with it.
While much of the world commemorates World AIDS Day today, (the current) U.S. leadership has instructed government officials to cut AIDS research funding and to not acknowledge the observance publicly. Somehow, they assert, America does not care about AIDS.
The traditional colors for Hanukkah are blue and white—sometimes with silver (or gold) added as an accent. Typically, the shade is Royal Blue or Indigo—like the blue of the Israeli flag. But, in recent decades, different shades of blue may be used to create the wintry-crisp, blue and white coloration.
The mercury glass beads, shown above, are colored a satisfying, icy-teal blue. They may have graced a Christmas tree in earlier years. But their cool winter blueness would make them a wonderful addition to any Hanukkah decor.
In years past, Christmas trees were swagged with lengths of mercury glass beads—either multicolored or composed of one color. The glass beads were created by the same process used to make any other glass Christmas ornaments: a heated glass rod would be blown into a metal mould. In the case of the beads, the mould was long and skinny, creating several (about eight) interconnected beads at once. A silvery metallic liquid (originally mercury, later silver nitrate) was injected into the tube to create a reflective, mirror-like base color. The desired color of the bead could be realized either by using a colored glass rod or by coloring the glass topically after blowing. The interconnected row of beads was then cut-apart...
It's Black Friday. After a precious day off for Thanksgiving, merchants view this milestone as the "starting gun" of the Holiday Shopping Season. The name, "Black Friday," suggests that (on this day) retailers go from being "in the red" to "in the black." This oversimplification is rarely true. But the anticipation of brisk sales warms the hearts of shopkeepers. These December weeks may help correct for slower summer months. And good sales during the Holiday Season will ensure that the merchant's investments (merchandise, staff, decor, supplies) will be paid-off. While I've been a merchant all my adult life, I have worked hard to remind myself that bountiful sales will never be the season's most important reward. Yes, they help. Yes,...
Happy Thanksgiving! We're thankful for many things: our families, friends, good health, and the rare day when the busyness of commerce comes to a standstill (at least for one day). And we're thankful for the blessings of wonderful customers who continue to support LEO Design. May you have a wonderful, safe and relaxing Thanksgiving. Take stock of that for which you may be grateful. And we look forward to serving you in the next few weeks. Shown above, a sculpture of The Sluggard by Sir Frederic, Lord Leighton (1830-1896). While Leighton is best known for his paintings, he did create three exceptional sculptures during his career (all male nudes). One day while Leighton was painting, his handsome Italian model, Gaetano...
Boxing Day is one month away!
26 December, known as Boxing Day, has been celebrated (in various ways) for centuries. It is associated with the Tenth Century Bohemian "Good King Wenceslas" (in what's now part of Czechoslovakia) who braved terrible cold and snow to bring alms to a poor peasant on the Feast of Stephen (26 December). In England, the term "Boxing Day" has been found in print since 1833. Charles Dickens also used the term in The Pickwick Papers (1837).
Boxing Day, the day after Christmas, is when servants were given their day off to celebrate the holiday (since they were expected to serve their masters on Christmas Day).
Where has the year gone? Only one month 'til Christmas? In many ways, the year seems to have flown-by. (Though, on some days, the year seems to be crawling torturously.)
We've acquired a small collection of vintage Holiday decorations: blown-glass ornaments and mercury glass beads. They are all vintage—from the Early- or Mid-Twentieth Century—and some of them were made by the collectable maker Shiny Brite.
Shown here, a dozen Shiny Brite one-inch balls, kept safe in their original printed box.
Let's end our trip to New York with a potpourri of handsome and wonderful items—all from the collection of the Metropolitan Museum of Art in Manhattan.
Shown above, an impressive young man who looks none of his 1,800 years old. He was carved of Schist in (what is now) Pakistan in the Third Century AD. He is called "The Buddha of the Future." I'm sure he would turn-heads walking down the street today.
Next we have a Late Renaissance Roman bronze sculpture—a double-tailed Siren—created in the last decades of the Sixteenth Century. She probably once stood outdoors and up-high—perhaps on a fountain or over a gate—on the estate of the powerful Colonna family of Rome.
Divine Egypt is an exhibit at the Metropolitan Museum of Art. While I love Egyptian history, art and artistry, I find the pantheon of Gods and Pharaohs to be overwhelming—and confusing. There are so many characters to consider—both divine and human—and there are variations and permutations which add further complexity to the list of names. The Divine Egypt exhibit was helpful in that the artistic objects were clustered together according to the individual god or goddess—not chronologically, not by kingdom, and not by some other scholarly theme. In this way, I was able to "sort-out" and mentally compartmentalize the abundant beauty presented before me. At the entrance to the exhibit, we are greeted by a diorite sculpture of the god...
We've always loved ceramics at LEO Design—in every form: vessels, plaques, sculpture or architectural elements. Today we'll share a handful of interesting ceramics pieces from around the world—all in the collection of the Metropolitan Museum of Art. Shown above, an Eighteenth Century porcelain lion. He was made around the year 1732 by Johann Gottlieb Kirchner in Meissen, Germany (about 15 miles from Dresden and 60 miles from the Czech border). This lion was part of a series of large porcelain beasts created for the Japanisches Palais in Dresden. The palace was built in 1715 and expanded shortly thereafter to house the Japanese porcelain collection of King Augustus the Strong. (Collecting Asian ceramics was the rage amongst European aristocrats in the...
Emmanuel Radnitsky—better known as Man Ray—was born in Philadelphia in 1890. At the age of seven, his family moved to Williamsburg, Brooklyn. His family worked in the garment industry—even running a small tailoring shop in their home. He studied art and technical drafting and was offered a scholarship to study architecture which he declined. He chose to pursue art instead. His family, though disappointed, allowed him to convert his bedroom into an art studio. In 1921, at the age of 31, Man Ray moved to Paris where he would live and produce most of his art. He died in Paris in 1976 and is buried in the Montparnasse Cemetery. Man Ray always considered himself a painter, though he is known...
Let's end our long tour of the Metropolitan Museum's Greco-Roman galleries with this showstopper: a Roman Third Century highly-carved marble sarcophagus. There are forty human and animal figures carved in high-relief. At center, Dionysos, the God of Wine, sits astride a panther. A satyr and other Bacchic figures surround him.
Flanking Dionysos, are four human representation of the Four Seasons, two on each side of him. Usually, such symbolic representations employ females. In this case, however, the sculptor(s) portrayed male youths. From left to right we have Winter (holding a brace of ducks), Spring (carrying a basket of flowers), Summer (carrying wheat) and Autumn (bearing a cornucopia of fruit).
The Greeks (and then the Romans) made more than just handsome, masculine sculptures. They decorated their homes (and themselves) with beautifully-crafted works of art. Today, we'll share some of these items which we encountered in the Greco-Roman galleries of the Metropolitan Museum of Art. The Greek influence (called "Hellenization") was widespread. It spread in three distinct ways. First, the Greeks conquered many areas, physically moved-in, and asserted their culture through the subsequent colonization. Second, Greek artworks were sold, imported or traded to far-flung lands—even those which the Greeks did not colonize. These artworks had a strong influence on the aesthetics of the importing lands. And third, people like the Romans fueled "Greek Revivals" of Hellenistic art, culture, philosophy and social...
The Metropolitan Museum has a wonderful and handsome wing full of Greek and Roman antiquities. The collection is wonderful—as is the presentation. Over the next couple of days, we'd like to share some of the Greco-Roman items which caught our eye in these galleries. Over the millennia, the "idealized" male form—as depicted in Western art and embraced in Western culture—has not changed much. True, there are a couple of "types." There is the lean, athletic body of a youth. And there also is the strong, muscular build of a mature man. These are two (idealized) representations of the same man as he passes through different stages of his life. Ancient sculptures of nude males look much like the idealized male...
New York has frequently put advancement over sentiment. "Progress" over preservation. So many beautiful New York buildings have been torn-down, only to be replaced by something ugly—and that replacement is usually a pale comparison of the handcraft of the original building. Think of the fabulous Beaux-Arts Penn Station on Eighth Avenue. Or the Art Deco Bonwit-Teller Store on Fifth Avenue. Both architectural gems were destroyed to make way for cheap and ugly replacements. Neither could be called "progress."
But, even today, a stroll-about New York City always delights with unexpected architectural gems and architectural details. Sometimes these delights are big, sometimes they are small. And sometimes, thankfully, a community will insist that the historic past be restored and preserved.
Central Park has been called "the lungs" of New York City. It is also a place of refreshment, regeneration and relaxation. It is surprising how one can feel totally enveloped by nature—and sometimes feel alone—while only minutes from a bustling city of 8.5 million people. This "dose of nature" has a profound civilizing effect upon those who encounter it. Of course, Central Park is a masterpiece of "Man and Nature." The park was highly planned and landscaped. But the genius intent was to create an artistic, naturalistic setting—one which took advantage of the slopes, ravines and boulders—to create the feeling of wilderness. I am always amazed at how many "little, private spaces," numerous nooks and crannies, have been created in...
Among the frights—while driving through the suburbs—is the proliferation of overwhelmingly-large Hallowe'en decorations which seem to have become en vogue in recent years. Lighted. Mechanized. Sometimes inflatable. These decorative investments demonstrate the growing love Middle America feels for All Hallow's Eve. A recent Ipsos poll has revealed that one-in-three Americans name Hallowe'en as their favorite holiday. We drove to New York today and will spend the week here. I have found that Hallowe'en may be even bigger in Manhattan! Though the "front yards" are considerably smaller, the ghoulish intentions of the inhabitants are just as evident. In fact, New Yorkers may win extra points for home-crafting their displays—no plug-in Home Depot erections here! And, of course, the question remains, "Where...
Welcome, November, and your birth flower, the Chrysanthemum. Chrysanthemums (sometimes called "Mums") are associated with the Autumn, when the perennial typically blooms. There are tens of thousands of varieties, cultivars and hybrids—and they have been developed by mankind for thousands of years. The flower originates in East Asia and it was the Chinese who began cultivating them (circa 1500 BC). They made their way to Japan in the Fifth Century AD, and it was here that their intense cultivation reached the greatest heights. Japanese art and culture frequently reflects nature which has been "perfected" through careful and thoughtful adaptation, editing, rearrangement or human manipulation. Think of zen gardens, koi fish, bonsai, or ikebana. The same is true of chrysanthemums, which...
Today is Hallowe'en, Day One of the three-day "Allhallowtide": Hallowe'en (31 October), All Saints' Day (1 November) and All Souls' Day (2 November). All Saints' Day and All Souls' Day are two important celebrations in the Church—commemorating "the faithful departed" (first, for those we know to be saints and, second, for those we don't know, yet). All Saints' Day was first celebrated in 609 AD. The date was later moved to 1 November (in the 730's AD), where it remains to this day. In recent times, the vigil on the night before All Saints' Day (Hallowe'en) has taken-on a secular dimension. Today, children dress-up in costumes and go door-to-door, asking for treats. But the following day, All Saints' Day, is still an...
The Wrought Iron Range Company was founded in St. Louis, Missouri, in 1881. The company designed and produced top-of-the-line cookstoves, under the brandname "Home Comfort," and they sent their salesmen door-to-door to sell them. Serious customer prospects would be treated to an in-home demonstration. Not only were the stoves well-made, they had thoughtful features and they looked great. They burned wood or coal.
Home Comfort stoves were made of cast iron and wrought iron. Although cast iron is very strong (and much less expensive to produce), it can become brittle—especially under constant heating and cooling. Home Comfort stoves utilized both types of metal to minimize cracking, which sometimes afflicted their competitors' stoves.
"Treen" refers to those small, useful objects handcrafted out of wood—not including architecture, furniture, clocks or cabinetry. The word "Treen," itself, means "of the tree." In the old days, metal tools and objects tended to be expensive (and plastic had not, yet, been invented). Therefore, many useful tools and household implements were crafted of wood. With the advent of the Industrial Revolution—with its mass production and economies of scale—metal became affordable to a greater percentage of the population. Laboriously hand-carved wooden items became a little less common.
Technically speaking, treen items can be found all over the world. Most of the treen I encounter today—especially from England, where I often shop—was made in the late Nineteenth and early Twentieth Centuries.
For decades, I've been acquiring cufflinks for LEO Design—a big part of our collection of Handsome Gifts. But, one cannot hunt for men's jewelry without stumbling over (rather, wading through) lots of jewelry for women. In truth, 99% of jewelry I encounter was made for women. Therefore, as I unearth handsome cufflinks, I will see a lot of women's jewelry the process—and occasionally find an intriguing woman's piece which I cannot pass-up. True, the women's jewelry I acquire is usually more on the "Handsome Spectrum" rather than "The Frivolous." And the Norwegian Art Deco bracelet (circa 1920's-1930's), shown above, fits this description perfectly. It was made by David Andersen in Oslo (or, more accurately, by the workshop he founded in 1876,...
Tea has been consumed by the Chinese—at least medicinally—since the Shang Dynasty (1600 - 1046 BC). In 1516, Portuguese traders arrived in China where they "discovered" the exhilarating brew. Then, in the 1550's, Italian traveler Giovanni Battista Ramusio published his two volume Navagationi et Viaggi ("Navigations and Travels")—fascinating accounts of the travels of the era's greatest explorers. It was here that Europe first learned about the marvelous, caffeinated brew. In 1610, Dutch Traders from the Dutch East India Company began shipping tea to Europe. It was introduced to France in 1635 and England and Germany in 1650. In those early days, tea was a wildly expensive luxury. It was purchased only by wealthy aristocrats and kept safe—under lock and key—in...
The Victorian British loved their tools; in any well-appointed home, there was a specific object at-hand to execute any conceivable function. Spoon warmers. Spill holders. Celery vases. Asparagus tongs. And a beautiful Georgian or Victorian fireplace was often punctuated with a pair of handsome "fire dogs." Fire dogs are a pair of small "struts," usually made of a cast or wrought metal: bronze, brass, or iron. They can be found in any of the various styles which were popular during the Eighteenth and Nineteenth Centuries: Neoclassical, Baroque, Rococo, Gothic Revival, Aesthetic Movement, Arts and Crafts. They were not meant to hold-up the burning log (which is the job of the andirons) but, rather, the fire tools for the fireplace....
Yikes—there are only two months left until Christmas! Perhaps this garland of mercury glass beads will help you (a little) get ready for the big day. Since the time of the Renaissance (and possibly much earlier), Germans have been decorating evergreen Christmas wreaths and boughs with colorful fruits and nuts. In the early Nineteenth Century, German glass artisans began blowing fancy glass ornaments—initially replicating those colorful fruits and nuts. In time, the designs expanded and evolved to include balls, bells, eggs, and figural shapes (all called "baubles"). In 1847, Hans Greiner (of Lauscha, Germany) began developing the first commercially-produced baubles in his family glassworks (which had been founded in 1597). England's Queen Victoria (at the urging of her German husband,...
All good things must come to an end, including vacations and time with family. On our last morning on Kauai, we took a short hike with my sister-in-law, Kristen, and my nephew, Levi. The trail began not far from my dad's house. It was an easy, five mile trek and the views were amazing! Shown above, Mount Makaleha, which, at 3,200 feet high, presides over the town of Kapaa. Translated literally, Makaleha means "to lift-up one's eyes" as if to gaze upon something beautiful. When viewed from a greater distance, Makaleha seems to be the smaller sister of the bigger Mount Waialeale (5,142 feet tall)—which stands at the center of Kauai. Usually shrouded in clouds, it is called (by locals)...
Taro—known as "Kalo" in Hawaii—is a tropical bulbous tuber that was a staple food source for the Ancient Hawaiians. The fleshy tuber is not a root; it is a "corm," a thickened part of the underground stem which holds stored energy for the plant's survival (should water or nutrition become scarce). The plant is believed to have originated in India, Nepal or Bangladesh—and spread (by voyagers) throughout Southeast Asia, Oceania and Africa. It became a nutritional staple wherever it was grown. There is archaeological evidence of taro consumption in the Soloman Islands 20,000 - 28,000 years ago (though it cannot be confirmed if that taro was wild grown or cultivated). British explorer, Captain James Cook, observed sophisticated taro plantations in New...
For thirty-five years, Bob and I, together, have been visiting my family on Kauai. We always stay with my father. This year, as a treat, we decided to book two nights at the Grand Hyatt Poipu. We have long been familiar with this hotel. Usually, we would walk through the property's gorgeous lobby to get to Shipwrecks Beach—or we would buy passes to work-out at the hotel's gym. Sometimes we would eat in one of the hotel restaurants. But we had never booked a room. We did this time and, boy are we glad to have done so. The hotel is very nice. It certainly has grandeur—though it is grand without a trace of glitziness. Every element of the hotel...
Hawaii has beautiful beaches. When I go to the beach, I want to see water, sand and mountain cliffs—preferably squished-closely together. Hawaii doesn't disappoint in this regard. But, as I've gotten older, I have grown more wary of too much sun exposure. Now I bring along my father's beach umbrella. And I spend no more than 90 minutes at the beach. I prefer to go every day, for short visits. And I always go home with an enviable tan (and no burn). North of Kapaa, where my family lives, is a secluded, remote beach called Donkey Beach. Apparently, it is the area where the sugar plantations once housed their donkeys. Getting to the beach involves a short, rocky hike. The...
My father celebrated his 90th birthday two days ago. Though we have had celebratory meals every night this week, tonight, Saturday, we gather for the big party. My father was born in Boston's Chinatown in 1935. His father, a Chinese immigrant from Canton, married an American waitress at the restaurant where he worked. My father grew-up in a poor, working family. Like most immigrants, his father worked hard (for little pay) to ensure that his descendants had a chance at a better life. My dad seized that opportunity. He frequently reminded us that kids who are smart, hardworking and poor can succeed. He got good grades in school and got a scholarship for Sufflok University—where he met my mother, a...
Gazing upon the rugged and romantic Na Pali Coast, along the North Shore of Kauai, never becomes tiresome. Most of the island is encircled by roadway, except for this stretch between Ke'e Beach and Polihale State Park, which is inaccessible to vehicles. Seeing it from the trailway, which runs along some of the coastline is enchanting enough. Seeing it from the sea—by boat or helicopter—is even more stunning. Na Pali has provided a ravishing backdrop for many films including Jurassic Park, King Kong, Pirates of the Caribbean, and many others. "Na Pali" means "the cliffs." They were formed five million years ago and have been carved into valleys by the flow of water. The original people who came to Hawaii—first...
I have the great, good fortune of having two parents in their Nineties. My father turns 90 today and I have made the 5,000 mile trek to Kauai, Hawaii, to celebrate the occasion with him (and my three brothers). Nothing pleases my father more than to have his four sons, their partners, and his four grandchildren gathered 'round a table. Considering that his parents never made it out of their Sixties, such a milestone is a blessing, indeed. People often ask me, "How can you stand such a looooonnnnng flight? I would love to go to Hawaii, but I can't bear the thought of spending all that time in an airplane." I remind them that the first New Englanders to...
Welcome, October, and your birth flower, the marigold. Marigolds comprise dozens of species in the Tagetes genus. The name, "Mary's Gold," is a reference to the Virgin Mary.
Marigolds originated in Mexico and eventually spread South into Central and South America. This pungently-scented plant has been used medicinally, sometimes drunk as a tea, and it is also employed as a culinary herb or food colorant. In South Asia, marigolds are used decoratively—strung into garlands, decorating shrines, or arranged as a carpet—for celebrations and Hindu religious ceremonies. In Catholic Mexico, marigolds are featured in "Day of the Dead" festivities or used to decorate the freshly-cleaned graves of deceased loved ones.
On this day in 1520, Suleiman the Magnificent became the Sultan of the Ottoman Empire, succeeding his father, Selim I. He was 25 years old and ready-for-action. He promptly initiated bold military campaigns against various European and Mediterranean Christian powers—Belgrade, Rhodes, Hungary—expanding his Empire and imposing his religion and laws on these colonies. His reign represents the highpoint of the Ottoman Empire, a territory of 25 million inhabitants. Besides military conquests, he was known for "harmonizing" (blending) the religious laws with the monarchic laws, thus he is sometimes called "Suleiman the Lawgiver" (especially in the Islamic world). He was also a great patron of the arts, literature and fine culture.
