After 28 years of buying and selling ceramics, I've gotten more confident in recognizing a nice piece of pottery when I see it. Even when I do not know who made the piece—or when. The Modernist bowl above is such an example.
Much of the pottery I buy was made in the Late-Nineteenth through the Mid-Twentieth Centuries. Most of the pieces I acquire were made by "recognized" workshops with recognizable attributes (and, with luck, a maker's mark). Even ceramic "studio" pieces (that is, pieces made-by-hand in small, artisanal shops) might have recognizable characteristics or bear a discernible signature. Additionally, some glazes, shapes or other idiosyncrasies obviously identify the maker or the workshop to an experienced collector.
Need a nice bowl for Spring paper whites? Or a caddy for keys and wallets near the door? Or, perhaps, a stylish water bowl for your dog? This bowl, made in the Thirties by Red Wing (in Red Wing, Minnesota), has plenty of style to match its functionality. The interior is fully glazed—in a fresh, Spring green—which makes it water-tight. The exterior, which is decorated with a bas relief ring of daisies, is first brushed with a matte green stain which is then partially wiped-off, thus accenting the high-low effect of the texturing. Subsequent firing fixes the exterior stain and the interior glaze. This brushing method inspired the pottery line's name, "Brushware."
Although George Clews's "Chameleonware" line was designed in 1914, its production was placed on-hold due to the outbreak of World War One. Artistic genius, David Capper, served and was injured in the war. Eventually, he returned to Clews and picked-up where he had left off: continuing to develop and market Chameleonware in the Twenties. The line—which was produced in dozens of differing painted patterns and colorations—included mottled "solid" art glazes (to emulate Ruskin) or ambitious hand-painted decorations which closely observed popular decorative trends. Very often, these trends were inspired by contemporary, international archeological discoveries—in Persia, Egypt or Asia—which intrigued the public (and, especially, people who might never have the means or opportunity to travel to these far-flung, exotic lands). Authentic "Oriental"...
Bohemia—that region of the Austro-Hungarian Empire that now (roughly) corresponds with the Czech Republic—has long been a center of high-quality glass design and production. This covered glass dresser bowl began its life as a blown "case glass" bowl, that is, two layers of glass bonded together (blue on the outside, clear on the inside). Glass artisans carefully "cut-away" at the blue glass (the top layer) on a cutting wheel, revealing the clear glass below. Properly done, this leaves an attractive pattern of blue glass over the clear glass below.
Shown above, a handsome glass covered "dresser bowl"—useful for storing powder, clips, bands, or other little essentials that might get scattered on a vanity table. It was made around 1920.
I love being surrounded by green! Indoors, outdoors—I find the color relaxing, soothing and so full of life. So it's no surprise that I began building a nice collection of matte green Arts & Crafts pottery as soon as I opened the store in 1995. Interestingly, one of the first pieces I sold (my first week) was a gigantic matte green jardiniere. I have never seen another piece so large (at any price). And I learned an important lesson about marking prices on "statement pieces." The piece above, made by Zanesville around 1910, is finished in a restful matte green glaze. A simple bas relief botanical motif surrounds the bowl—which is perfect for forcing paper whites or collecting pinecones, wine corks...
We interrupt our regularly-scheduled programming (Victorian cufflinks) to make note of this exceptional day: Tuesday, Two Twenty-Two Twenty-Two!
Two golden (polished bronze) eggs sit in this rustic cast-bronze nest, lovingly crafted in Canada. Such an interesting desk item will certainly provoke visitors to pick-up and fondle the clutch. The nest, alone, would make a perfect clip holder, ring saver or place to throw your keys near the door. And, of course, the two eggs will forever commemorate this special date.
And now: back to our regularly scheduled programming...
It's becoming an annual refrain. With each passing year, I release a wearied sigh and proclaim with great relief: "Well, I'm glad that year is over!" To paraphrase The Queen, it's been a "Lustrum Horribilis"! Half a decade of horror! But Hope springs eternal—especially amongst retailers, who always believe, deep-in-their-bones, that Good Times are just around the corner. "This will be the year!" While I await the abundance, I also appreciate an aesthetic "cleansing of the palette"—a fresh, pure start to the New Year. What could look cleaner, fresher, and newer than a collection of matte white vases bowls and plates? This Art Deco bowl, by Roseville, is trussed in an attractive architectural scaffolding. Finished with a satin white, it provides...
December is here! The final lap of 2021! Experience the Winter's chill, the Holiday bustle, and the sublime Turquoise—the birthstone for the month of December.
Ancient civilizations in Egypt, China, Persia and North America have been mining, collecting and using turquoise for millennia. In the American Southwest, turquoise has been used in jewelry-making and other decorative arts for centuries—and continues to be popular to this day. The name derives from the French word for "Turks"—for it was through Turkey that the first turquoise came to Europe from Persian (Iranian) mines. The Persians used the stone for important decoration in architecture and other objets. They created celebrated ceramics and tilework glazed in a glorious "Persian Turquoise" hue, a color which represented "Heaven on Earth."
Royal Doulton is one of the great British commercial ceramics makers of the Nineteenth and Twentieth Centuries. It was founded in 1815 in London, with factories in Vauxhall and Lambeth. In 1882, the company moved from London to Staffordshire, specifically to the town of Burslem, one of the six towns that make-up Stoke-on-Trent (a powerhouse of 19th Century British ceramics production). Here, with space to grow, Royal Doulton expanded production significantly. 1882 was also the year that artist William Rowe joined the firm, a company which would employ him for six decades (until 1945). William Rowe, a painter, designed ceramic works of all sorts for Royal Doulton pieces—vases, bowls, plates—in a wide range of styles, from the Aesthetic Movement to...
I love visiting the Mediterranean during the Summer. Greece, Italy, Spain or the South of France—it doesn't matter—I love the warm, dry weather and the sapphire blue waters of that ancient sea (and the cultures which surround it). Summer is always that much better when it includes a bit of time on (or near) the Mediterranean Sea. In the handsome city of Monte Carlo, they built a large pier—to both protect the small (expensive) boats inside the harbor and to allow large ships to dock on the outer side. On the sea-facing side of the pier, a large cement structure (called "Solarium Beach") has been designed as a series of gigantic "steps" leading to the water. They allow bathers...
Charles Dickens published The Old Curiosity Shoppe as a weekly series in 1840 and 1841. It proved so successful—on both sides of the Atlantic—that frantic New Yorkers stormed the pier when the final installment arrived by ship from England. They all wanted to know: "Will Little Nell Live?" The story concerns 13 year old Nell, a kind and loving girl who was orphaned after her parents died in poverty. She is taken-in by her grandfather and they live in an antiques shop. She is a lonely girl; her only friend is Kit, a good boy who works in the shop, whom Nell teaches to write. Kit secretly falls in love with Nell and commits himself to keeping her safe. But...
Yesterday, we shared one of the finest trays in our collection. If one might call that one "Beauty," the shallow bowl, shown above, might be called "The Beast." But a beast is not without its usefulness—or its charm. Rustically hand-hammered copper is fashioned into a shallow bowl. Set upon a refectory table, it would be perfect for holding fruit, bread or a collection of decorative objects—pinecones, wine corks, seashells or glass balls.
I have always liked matte white pottery and keep a personal collection myself—on the wide windowsill over my kitchen sink. The simplicity of color contributes a fresh and clean look without appearing industrial or sterile. And the form of each piece can be appreciated clearly, without the optical effects (or distraction) which darker colors sometimes contribute. When assembling a white ceramics grouping, some people are sticklers for maintaining the purity of one particular shade of white—be it cool, warm, bluish, pinkish, or yellowish. I appreciate this discipline, but am a little more relaxed about my personal grouping. I find that, once you have enough pieces, a "palette" of whites can look wonderful together (within a controlled range). For example, if you...
Occasionally, I'll uncover something which I have never seen before. I will know nothing about its age, maker, or place of origin. I'll have no intellectual reference by which to value it. But I will recognize something of quality—and a little voice which says, "Don't put this back." This bowl is just such an item. I found it at a house auction in nearby Ohio. It is clearly Modernist in design. The weight of the crystal and the quality of the hand-cutting are superb. And the peach colored crystal is sublime. Is it something from the Modernist Period? Or is it something made—indeed, well made—recently (or even today)? I'm not a glass expert, nevertheless, I acquired the piece. Whether it's recent or vintage,...
Siena, in the heart of Tuscany, is known for many things: Saint Catherine (Doctor of the Church), the annual Palio horserace (in the city's expansive square), the grand Cathedral (completed in 1263), and, of course, the coveted honey-caramel Siena marble, used to make the bowl shown here.
Siena marble is hand-carved into this handsome (and heavy) Italian bowl—fashioned in the shape of a scalloped seashell (often an attribute which identifies Saint James). Use it as a handsome solution for holding business cards, clips, candies, cigarette ashes, or even the contents of an emptied pocket.
Welcome, October, and your birthstone the Tourmaline. Today we know October as the tenth month of the "modern" Julian and Gregorian calendars. But it wasn't always this way. In the period of the Roman Empire (which straddled the lifetime of Christ), October was the eighth month—made apparent by October's root word, "Octo" (which means "Eight"). Interestingly, in France, Octobre is sometimes abbreviated as "8bre." October's birthstone, the Tourmaline, is a semi-precious gemstone, a "crystalline boron silicate mineral." It can be infused with traces of a wide variety of different metallic elements—each of which results in a different color possibility. Thus, tourmaline can be mined in many different colors: black, brown, and every color of the rainbow (red through violet) and even bi-colored variations....
Here's something a little different: a "Lotus Bowl" with nicely-scalloped sides. Raised from a single ingot of copper—just like the vases we've shown—it was made "freeform" with just a pair of tongs, hammers and an anvil. Click on the photo above to learn more about it. More hand-hammered copper items in the days to come. Though our Greenwich Village store is now permanently closed, LEO Design is still alive and well! Please visit our on-line store where we continue to sell Handsome Gifts (www.LEOdesignNYC.com). We also can be found in Pittsburgh's historic "Strip District" at Mahla & Co. Antiques (www.mahlaantiques.com) or in Canonsburg, Pennsylvania at The Antique Center of Strabane (www.antiquecenterofstrabane.com). Or call to arrange to visit our Pittsburgh showroom (by private appointment only)....
