This week we’re sharing some of our just-acquired European art pottery, now in-store at LEO Design. The examples above are Italian Modernist ceramics made in Florence by Fratelli Fanciulacci (c. 1960’s). The firm was founded in 1862 and was considered one of the better post-war art potteries in Europe. Fratelli Fanciulacci was devastated by the […]
Carstens was not the largest West German ceramics producer but it did a good job of bringing-in design talent to keep the product fresh and ahead of the competition. One such assignment was given to Gerda Heuckeroth, a woman who was given free-range within one division of the company. She experimented with shapes, naturally, but […]
I just love this vase! Strong red glazing—on a shapely and interesting form—is embellished with hand-piped “squiggles.” It makes for a piece that’s both handsome and fun! Made by Dümler and Brieden (West Germany) in the 1960’s or 1970’s, it looks equally good within a collection or standing alone. Please click on the photo above […]
It’s a great day for the Irish! And the Italians, too! Modernism meets the ancient on this hand-crafted stoneware pitcher by Bitossi. Chunky, textured clay is formed into the classic (and timeless) shape of an ancient Etruscan jug—then hand-incised and painted with fresh, modern colors. It’s one of many new pieces of European art pottery, […]
We’ve just received another large shipment—mostly art pottery—this time from Continental Europe. Over the next few days, we’ll be sharing with you select pieces from this newly-acquired collection. Shown above, a most-handsome piece by Steuler. A “foamy” highly-textured light blue glaze drips down over a metallic gunmetal underglaze. Founded in 1917, Steuler operated in the […]
As in “Sing a Song of Sixpence,” a ring of bas relief blackbirds encircle this Danish Modern bowl by Marianne Starck for Michael Anderson. The deeply-carved creatures “pop” crisply from the outer walls of this golden stoneware bowl—a handsome and light-hearted addition to any dining table, sideboard or coffee table. Please click on the photo […]
With the winter’s cold, in comes this trio of playful Danish bears. Designed by sculptor Knud Kyhn and made by Royal Copenhagen in the 1970’s, they have taken-up residence with our large collection of mid-century stoneware bears. Please come by to see them and their case-mates here at LEO Design. See new […]
We’ll end our “Week of the Monkey” with this simian fellow—tense with anticipation, wound-up and ready to spring! He was made in 1959 by artist Knud Kyhn for Royal Copenhagen. He’d bring a good deal of coiled energy to your bookshelf, mantelpiece or coffee table. Please click on the photo above to learn more about […]
Here’s a super monkey for the Year of the Fire Monkey. Made in the 1920’s by Danish ceramicist Knud Kyhn, it is impressive in size, style and artistic impact—certainly a “statement piece” in any interior design setting. Please click on the photo above to learn more about him or come into the shop to see […]
Since we’ve just started the Year of the Monkey, why not make it the Week of the Monkey? Over the next few days, we’ll share a few of our interesting primate offerings from the shop. Shown above, a happy chimp, arms raised in victory. Modeled by ceramicist Knud Kyhn for Royal Copenhagen and produced in […]
We may have waited a while for it, but winter is finally here. How timely, then, this new acquisition: a Danish Modern vase by Johanne Gerber for Royal Copenhagen. Barren branches are silhouetted against a pale sky—while blue flowers (or are they snowflakes?) fall in and around them. This good-sized, flask-form vase would look equally […]
Palmettes are a stylized graphic representation of a splayed palm frond. They were first used decoratively by the Ancient Egyptians, followed by the Assyrians, Greeks, Etruscans—and, somewhat recently, in Western Art Deco. In 19th Century Victorian England, palmettes (still popular) were called the “Anthemion Motif” (from the Ancient Greek term for “flower”)—and were sometimes interspersed […]
The soft spring colors of these two ceramic birds—mother and chick—have alighted just as winter’s snow begins to fall! Nevertheless, they’ll be happy (and safe) ’til Spring. The pair was made in the 1960’s by Artist Erik Engqvist for Swedish ceramics workshop Jie Gantofta. “Jie” was the nickname of John Ewert Johnson and he founded […]
Classical? Art Deco? Nouveau? Yes, yes and yes. An ivory-glazed classical urn, made in the Art Deco Thirties, is finished with Art Nouveau handles. It makes for a handsome, adaptable and useful decorative accent—either alone or within a larger collection of art pottery. Made by Roseville in Roseville, Ohio. Please come into the shop to […]
Paul Dresler is considered one of the most important ceramicists between the wars. He was born in Siegen, Germany in 1879 and, as a boy, planned to be a painter. On a visit to Munich in 1910, Dresler saw an exhibit of Islamic ceramics—an experience which proved to be a turning-point in the artist’s life. […]
Another cheery “bauble”—nice at Christmas or any time. In 1909, German tinsmith Johann Übelacker opened a pewter-smithing workshop in Ransbach-Baumbach (half-way between Frankfurt and Cologne). Johann began experimenting with mounting pewter upon ceramic forms—as was done with traditional German beer steins—and he enjoyed some success. After World War II, Übelacker Keramic was well-positioned to exploit […]
While it’s not an ornament—and not strictly “Christmassy”—the Italian vase above, made by Fratelli Fanciullacci, is a bauble of good Holiday cheer. In 1862, Raphael Fanciullacci opened a ceramics workshop in Florence where he made kitchenware and other utilitarian tableware. Business grew, Raphael branched into more aesthetic, decorative pieces, and, before long, his son (and […]
Here’s another monumental piece (standing 15″ tall), also made by Gerda Heuckeroth for Carstens of Tönnieshof. It is one piece of an impressive New York collection, just acquired by LEO Design. Carstens was founded in 1945, and by the early 1960’s it was a very large, very high-volume manufacturer (the second biggest in West Germany […]
This week we share selections from a newly-arrived collection, purchased from an accomplished New York collector. Pictured above, a grouping of four “abstract tribal” pieces, made by Carstens for their upscale Atelier line in Freden an der Leine, West Germany ($245 – $375). In a rather tongue-in-cheek fashion, the ceramicist captures the goofy seriousness of 1970’s Modernist […]
The ceramics workshop Silberdistel—named after the silver thistle found in the Swiss and Austrian Alps—was founded by Johann and Grete Breu, in 1947. The workshop was located in Gevelsberg, in the West of Germany, north of Cologne. Although well-timed for growth just before the big West German ceramics boom of the 1950’s through 1970’s, Silberdistel […]
Today we share another new acquisition, part of an impressive private collection of art pottery recently purchased by LEO Design. Shown above, a piece of studio pottery crafted by German ceramicist Wendelin Stahl. Stahl was born in 1922 to a family of ceramic masters including his father and older brother, Rudi Stahl. From 1938 to […]
LEO Design has just purchased an impressive collection of art pottery from a New York collector (and customer of ours). Over the next five days, we’ll be showing selected pieces from this exciting acquisition. Please come into the shop to see the full group—and the rest of our large collection of art pottery from the […]
Let’s end our parade of Blue French Pottery with the Art Nouveau piece, shown above, made by Pierrefonds at the turn-of-the-century. This piece exhibits the entirely random and organic possibilities of glaze crystallization—a naturalism well-suited to the Art Nouveau. And, speaking of Naturalism, to my eye there’s something rather aqueous—oceanic—about this piece. Whether it’s the […]
Reminiscent of a scene from Jules Verne, this pair of French Art Nouveau “Rocketship” vases was made around 1905 by Antoine Gustave de Bruyn et Fils. “Gustave” (as he was known) was born on 9 December 1838 in Leuven, Belgium. Both his father and grandfather had been potters before him. In 1864, he opened a […]
We continue our presentation of Blue French pottery with this handsome piece from the Art Deco Twenties. The stepped neck and little handles are pure Deco. Meanwhile, the unbridled, seemingly-random dripping glaze is classic Art Nouveau. This vase is a successful melding of Art Deco’s precision and structure and Art Nouveau’s organic whimsy. However you see it, […]
After yesterday’s journal entry about American artist Charles Jasper McLaughlin—who studied and painted in Art Nouveau France—I’m inspired to share, over the next few days, a handful of French Art Nouveau ceramic works (all blue), now in-store at LEO Design. Some were (possibly) crafted during the time McLaughlin was studying in France. First up: a […]
Charles Jasper McLaughlin was born in Covington, Kentucky on 6 June 1888. He studied at the Cincinnati Art Academy in 1905 and later at the Sorbonne in Paris where he trained in painting frescoes and landscapes. For two summers, he studied architecture at Fontainebleau, outside of Paris. Back in America, McLaughlin worked at Rookwood from […]
The Roseville Pottery Company was founded in Roseville, Ohio in 1890 and (initially) produced a limited range of stoneware “utility” goods: flower pots, umbrella stands, cuspidors and the like. Within a few years, enjoying strong sales, Roseville expanded and eventually bought the Clark Stoneware Company in Zanesville, Ohio where they re-located their headquarters. By 1900, […]
“Salt Glazing” was developed in 13th century Germany—probably by accident. Historians speculate that these early potters collected salty driftwood or the scrap wood from brining barrels for use in their kilns. And a rather interesting result occurred: the pottery developed a thick, translucent and textured glaze which proved highly-durable—especially for jugs, crocks and other utilityware. […]
I do not know much about the ceramics piece pictured above or Sawa, the workshop that made it. Nevertheless, I do appreciate its design integrity and the handwork required to produce it. First, the body of the vessel was cast in terra-cotta and allowed to harden. Next, a cast terra-cotta handle was attached. Then a […]
In the year 1832, “Prince Adolph of Ysenburg & Bündingen of Isenburg-Wächtersbach” (whew!) founded a ceramics workshop within his family’s principality. Wächtersbach Keramik (sometimes spelled “Waechtersbach” by English speakers) continues to this day, making a wide range of objects, both decorative and utilitarian. In the late Nineteenth Century, Wächtersbach employed several notable designers including Joseph […]
We’ve just received a shipment of vintage ceramics from Europe, including the large “grasshopper green” vase shown above. Its inspiration is classic Chinese—based on a humble, utilitarian vessel which might have held water, vinegar or fermented duck eggs. Even the string netting, which once encircled the original, are represented in a stylized fashion. Please click […]
Over the past few months, I’ve found (and acquired) a couple of European Modernist ceramic pieces which reminded me—at least vaguely—of clouds. They weren’t very jolly; indeed, they were rather drab. Nevertheless, I liked them and quickly gave them pride-of-place in my shop—but not for long. Before I knew it, they were picked-up, purchased, and […]
Italian Modernism—with a rustic, hand-crafted flair. After the vase was formed (but before the clay hardened), a wooden stylus was used to make the pattern of irregular impressions in the clay. Both a dark brown and then a red glaze was applied—creating a look reminiscent of a strawberry. Please come into the shop to see […]
We’ve just received a new shipment of art pottery from Europe—and would like to share a few pieces with you over the next several days. First up: a substantial and tall-ish (12 inch), pumice-glazed vase by Fohr (West Central Germany). This piece is a bit of a contradiction—which might have been the ceramicist’s intention. Atop […]
Danish ceramicist Jens Michael Andersen opened his pottery workshop on the little island of Bornholm, off the coast of Denmark, in the 1890’s. He (and his four sons) won recognition and awards at ceramics expositions throughout Europe. Their shopmark, a chevron with three parallel herrings, was adapted from the town crest of Rønne, home town […]
We welcome October with one of the month’s two gemstones: the tourmaline*. Tourmalines, rich in aluminum, magnesium, sodium, lithium and potassium, come in a wide variety of colors including black or multi-colored specimens—like the “Watermelon Tourmaline” which is pink at one end and green at the other. They were mined in Sri Lanka and brought […]
When I first saw this beautiful piece of Gouda Dutch art pottery, I was hesitant. If you know my store, you know it is arranged by color: blue over here, orange over there, green a little further on. Should I buy this piece? Into which section would I place it? Although I couldn’t figure-out the […]
“Marselis” is one of Nils Thorsson’s most famous designs for Aluminia, parent company of the Royal Copenhagen workshops. Designed in the 1950’s, the collection was glazed in several colorways including the deep Mediterranean blue, shown above. The line is distinguished by repetitive, graphic patterning—lines, tear drops, circles, petals—with no additional embellishment. They enjoy a thoroughly […]
While I do buy (and sell) some Modernist ceramics, my heart is still committed to turn-of-the-century design. When I do acquire Mid-Century pieces, however, there are a few guidelines I try to observe. First: the piece should lean back in style, not forward. They should reflect design of the past rather than attempt to break […]
Just in at LEO Design: a new shipment of European art pottery. Shown above, a selection in red, made in West Germany in the 1960’s and 1970’s. I love red pottery and, apparently, so do LEO Design customers—I can’t keep it in-store! Whether I’m selling a large grouping to an interior decorator or selling a […]
Although this piece of art pottery is Dutch, not Middle Eastern, its bold, stylized decoration is reminiscent of an Oriental tapestry. Made in Gouda, east of The Hague, in the 1910’s or 1920’s, it is a great example of European Orientalism. Its rich, autumnal tones and “Klimt-ian” swirls (on the slender neck) make this one […]
From Northern Europe comes this Nils Thorsson “flask”-form bottle (vase), complete with its original ceramic cover. He designed it for Royal Copenhagen (Denmark) in the mid-1960’s and supervised its production in their workshops. This Modernist form is a bit of a Thorsson “signature,” though one rarely finds it with the cover intact. Indeed, not all […]
Here’s another recent acquisition, just-received at LEO Design: a West German Modernist piece by Üblecker, crafted in the 1960’s or 1970’s. Reminiscent of a Louise Nevelson sculpture, the piece is at once very simple and, simultaneously, quite complex. It would add an interesting textural dimension to an existing art pottery collection or look stunning standing on […]
We’ve just received a new shipment of European art pottery including these West German Modernist pieces, shown above. The largest piece, sometimes referred to as a “floor vase,” stands over 18 inches tall and is decorated with a complex layering of multiple glazes. A crusty, brown top glaze has been scraped-away, leaving frenetic, zig-zagging bolts […]
The ancient Mesopotamians of Sumer (which is now modern-day Iraq) invented the Cuneiform system of writing some 5,000 years ago. The name “cuneiform” comes from the Latin “cuneus” (meaning “wedge”) and “forma” (meaning “shape”). Wedge-shaped wooden styluses were used to impress marks into soft clay tablets which were dried (or fired) and, properly stored, would […]
Whether your father likes to hunt game or would rather appreciate animal beauty with his eyes alone, here’s just the Father’s Day gift! Made in mid-century Denmark by sculptor Arne Ingdam, this ceramic stoneware sculpture captures a fourteen-point bull elk in full call. Please come into the shop to see him or click on the […]
Perhaps your father’s interests include the botanical. Shown above, a pair of Czech Art Deco white vases, made in the 1930’s. Bohemia—while it took design cues from larger cultural centers (like Vienna)—was no stranger to good design. From Mucha’s Art Nouveau to Moser’s Art Deco, there’s a rich history of good art, design and craftsmanship […]
Amongst my newest finds is the matte white art pottery, pictured above. Collected during my recent weeklong buying expedition—piece by piece—it pulls-together nicely as a grouping ($75 – $110). Please come into the shop to see them in person—now combined with their previously-acquired relatives.
On my last trip to England, I spent a rainy Sunday traipsing around Sussex in the southeast of that country. In the mostly-Victorian (and slightly shabby) town of Bexhill-on-Sea, I came across an unexpected Art Deco jewel: the De la Warr Pavilion, built in 1935. The building was commissioned as a contest by the Ninth […]
Another sweet pair of vases—sweet without being saccharine—is this twosome from Austria. Made in the 1910’s during the Secessionist period, they exhibit the flavor of turn-of-the-century Vienna. The pretty, sky blue glazing and stylized buttressing are likely to make someone’s mother happy. Please come into the shop to see them or click on the photo […]
One year I gave my mother an orchid on Mother’s Day. It was a life sentence—for both the plant and for my mother who was (involuntarily) tasked with keeping it alive. I like this idea better (pictured above): a Dutch Gouda vase with a hand-painted, stylized orchid motif. Made in the Teens or Twenties, it […]
Made in (what was once) Czechoslovakia in the 1930’s, this pair of Art Deco Vases have a touch of femininity without fuss—which makes them a tasteful Mother’s Day gift. Perfect with or without flowers as they are beautiful individually or as a pair. $85 each. Please come into the shop to see them or call […]
With Mother’s Day a week away, we’d like to share an assortment of “Handsome Gifts” which would be perfect for Mom. Over the next seven days, we’ll show you some ideas that might tickle your mother’s fancy. Photographed above, a trio of Royal Doulton English Arts & Crafts vases made in the early Twentieth Century. Each […]
We’ve just purchased a small collection of Danish Modern art pottery by ceramicist Nils Thorsson for Royal Copenhagen. Made in the 1960’s and 1970’s, their naive, hand-crafted, and seemingly random “batik” decoration belies the spare forms of the ceramic vessels. Shown in front, a streamlined, square-shaped vase. Behind it, a compressed, lidded flask. […]
Spring is now peeking-out at us, teasing us with temperatures creeping (periodically) into the 60’s. Flowers, birds, light—these are the wonderful harbingers of Spring. The vases above, crafted in Art Deco England, positively sing of Spring! And what could be more cheerful and homey (and upbeat) than Art Deco as the British did it? […]
Here in New York City the Winter White has finally melted—revealing mysterious brown layers of indeterminate origin (buried since the first snowfall weeks ago). Though that image is distasteful, I thought the Bode Willumsen vessel, pictured above, also captured the notion of a Mud Season—albeit in a natural, graceful, and more romantic manner. Made for […]
Batik is a folk craft method of decorating textiles using a wax resist process. Fabrics are dyed, dried, then painted or printed with wax—which forms a resistant barrier for future dyings. When the fabric is dyed a second time, the new dye saturates all of the fabric except for where the painted wax has formed […]
Jules Verne meets German Modernism in this “Space Aged” ceramic pitcher by Carstens (West Germany). Made in the 1960’s, it is finished with a crystalline, metallic glaze—both matte and lustrous at once. Please come into the shop to see this new piece—another one of our post-Holiday acquisitions—or click on the photo above to learn more […]
The little hamlet of Sarreguemines has an interesting background—both historically and as a center of fine porcelain and art pottery production. A one time Roman stronghold, Sarreguemines lies at a strategic point on the River Saar. This made it an important location for controlling commerce on the river as well as an ideal place from […]
With ten shopping days ’till Christmas, I thought a little encouragement might be in order. This little frog, on a mid-century West German plaque by Ruscha, struggles to climb ever higher—struggling for a better view. Spare a thought for our poor amphibious friend as you slog, seemingly endlessly, from store to store. Better yet, you […]
Here you’ll see a downward shot of and English bowl, handmade and decorated around 1939, by Royal Doulton. Perhaps a Western interpretation of Middle Eastern design, it is glazed in a soothing combination of aqua and rich navy blue. Please come by the shop to see it in person; the piece should be in-shop (with […]
In yesterday’s journal entry, I crept-out onto a limb with my theory of Native American design inspiration. Today I’ll inch-out a bit further: I believe the piece above, made by Carstens in post-war West Germany, references ancient Etruscan design. But the Germans weren’t simply imitating the ceramics of ancient Central Italy. It seems they were […]
From the first moment I laid eyes on this piece, it reminded me of a piece of Native American art pottery. The shape is classic, not unlike an Indian ceramic vessel. But it is the mantle of glaze-painted “feathers,” draped around the shoulder of the piece, which leads me to my conclusion. Did North American […]
Today is the fourth of December (three weeks ’till Christmas!). May we present an impressive piece made by Fohr? This classic, two-handled urn-form vessel has a softly dappled surface treatment—only just visible below the crusty red and black pumice glazes. Made in post-war West Germany, it is thoroughly Modernist and, yet, it has the attitude […]
Over the next few days, I’ll share with you some of the newly-received pieces, now featured front-and-center at LEO Design. And we’re off to a big start! At 19+ inches tall, the piece above—made by Jopeko in West Germany in the 1960’s or 1970’s—would make a monumental vase, with plenty of stand-alone presence. It is […]
Over the past several weeks, I’ve worked overtime to re-build LEO Design’s collection of Modernist red art pottery. The photo above shows the fruits of my labors. Mostly made in the 1960’s and 1970’s and mostly made in Italy and Germany, the collection is featured on the shop’s front table—and will provide a cheery, Holiday […]
Yesterday’s Red Modernist piece had a naive, folk-like quality to it. Today’s selection, pictured above, is just the opposite—streamlined, crisp, sculptural. Made by the workshop Scheurich in the 1960’s, it is a vase which looks equally good when used for flowers or when enjoyed alone as a handsome piece of sculpture. This is one of […]
The words “Italian” and “Red” seem to go hand-in-hand—as the example above proves. This Italian Modernist vase, crafted in the 1960’s, was first hand-incised with a “rustic tilework” pattern, then finished with a brown-dappled red glaze. Modern and primitive at the same time. This piece is part of our newly-received Red Modernist pottery, now in-store for […]
It seems that whenever I build-up my collection of red art pottery, a collector or interior designer comes along and clears me out! With this in mind, I’ve been working overtime to re-fill my red pottery table. Shown above is a small part of my recent acquisitions—pieces by Roth, Lehmann, and Scheurich—which I just purchased […]
From Late Victorian England, a cast iron Aesthetic Movement money box, circa 1890. Behind it stands a much more modern West German vase, circa 1960. What ties them together? Both pieces are inspired by earlier Asian design. When interpreted (and modified) by Western artists, Asian design is called “Orientalism”—a movement very popular in the late […]
A Native American takes center stage on this work of Danish Art Nouveau ceramics by Ipsen. Dated 1907, the sculptor has presented his subject beautifully—noble, thoughtful, handsome. I found him in the South of England in the collection of a Danish ceramics connoisseur. He is crated and ready-to-go—I await the FedEx driver (here in Brighton) as […]
Shown above, more from my recently-acquired collection of Modernist art pottery purchased in London this week. These examples were made by the Carstens Atelier and Scherurich Keramic, both in West Germany, in the 1960’s. To see these pieces in person, please come into the shop during the last week of October. By then, everything should […]
Greetings from rainy London! I am busy visiting London collectors and markets and have already made a good start on the buying. Today I acquired a number of pieces of Modernist art pottery including these red pieces (pictured above) from Italy and West Germany. Made in the 1960’s and 1970’s, these pieces will be at […]
The art of ceramics was mastered in various parts of the world at different times—and each culture contributed something different in the way of mastery. The Chinese knew the secret of producing the elusive red glaze (and weren’t about to share that secret with the Europeans!). The Dutch were known for their Defltware. And the […]
We round-out our “show & tell” of newly-received West German pottery with these three pieces by Roth. Made in the 1960’s or 1970’s, they exhibit a particularly prominent “pumice” glazing which contrasts with its dripping red glaze. Although they are definitely Modernist, their earthy sensibility make them appealing to the Arts & Crafts aesthetic as […]
Amongst our newly-received European pottery comes this Rubenesque pitcher from Gräflich Ortenberg of West Germany. With a pleasingly-hefty feel and a decidedly voluptuous form, this piece will stand alone or join a grouping of pottery with equal aplomb. Please come into the shop to see more of our new pottery or click on the photo […]
Here we show a pair of West German pitchers—each from “a different side of the tracks.” The piece in front, made by Stein in the 1960’s or 1970’s, is part of a large production run. The base shape would have been glazed in a great many color (or textural) options—in this instance, a dark mossy […]
I love blue pottery and the West Germans did it well. Shown above, a range of blues by Scheurich, Kreutz, and Karlsruhe. From light to dark, textured to glossy, LEO Design has a wide range of blue art pottery vases. Please come into the shop to see our wide range of pottery—including the newly-acquired West […]
Like a foamy caffè latte, the pottery above is all about color and texture and taste. Though decidedly “not jolly,” a well-selected trio of these pieces could be “just the thing” in the right setting—against the right background color. The pieces above are made by the potteries Ruscha and Stein—plus a single piece of Dutch […]
In the first forty years of the Twentieth Century, America and England produced great quantities of “middle class” ceramics—the kinds of pieces that were bought inexpensively and used to decorate average, middle class homes. Such functional art pottery—vases, bowls and planters—were not considered “precious” or “sophisticated” but, rather, attractive and useful objets, intended to brighten a […]
This beautiful pair of French Art Nouveau vases—crafted circa 1910—are on their way back home. Repatriated by a French décorateur d’intérieur, they are glazed in a crystalline Mediterranean blue over an olive green underglaze. We enjoyed them while they were here; now they’ll brighten someone else’s maison.
Made in Mid-Century Italy for importer Rosenthal-Netter, this Modernist vase has a hand-made, “tribal” feeling to it. A manually-incised band encircles the red clay vase which is glazed in a mottled, earthy chartreuse. The color is not universally appropriate, but—in the right environment, against the right background—it could be dynamite. Please click on the photo […]
A pretty piece of art pottery, new to the shop. Made by Weller around 1933, this Art Deco piece has a raised, hand-painted botanical decoration which lies upon the shoulder of the “genie bottle” form. Delicate without being feminine, it would make a nice addition to just about anyone’s art pottery collection. Please come into […]
We conclude the parade of newly-acquired, Modernist ceramics with a little Italian diversion. The trio of pieces, shown above, were made for the Italian company Raymor in the 1960’s. They capture beautifully the Italian’s mastery of line, form, and style—and represent Italian Modernism perfectly. Please come into the shop to see the entire new collection.
The little pitcher, pictured above, has a frothy yellow-orange glaze over a red underglaze and was made by Scheurich in the 1960’s or 1970’s. It’s part of a large collection of Modernist art pottery just acquired and now in-store. Please stop by the shop to see the entire collection of new pottery. More art pottery […]
Our newly-acquired collection of West German art pottery includes the piece above, made by Fohr in the 1960’s or 1970’s. It’s one of two dozen pieces of (mostly) red (mostly) West German Modernist ceramics recently purchased by LEO Design and now in-store. Please visit the shop to see the entire collection. More art pottery tomorrow. […]
The piece above, by Jasba, was made in West Germany in the 1960’s or 1970’s. It is one of two dozen new pieces of Modernist art pottery recently acquired and now in-store. Come visit the shop to see the entire collection. More new acquisitions tomorrow.
Our new collection of West German art pottery continues with the pieces above by Bay and Jasba. They were made in the post-war 1960’s and 1970’s. Please come into the shop to see the entire new collection. More new West German pottery in the next few days.
We’ve just acquired a new collection of (mostly) red, (mostly) West German art pottery from the 1960’s and 1970’s. Two dozen pieces from various post-war ceramics workshops. Shown above are pieces by Scheurich, Jopeko and Gräflich Ortenburg. Please visit the shop to see the entire collection. More of the new collection in days to come. […]
Perfect for Summer! We’ve just acquired a collection of West German art pottery—glazed in a fresh, summery turquoise—by Gräflich Ortenburg. The workshop was founded in the small village of Tambach, central Germany, just after the war in 1946 and closed in 1968. The pieces above were made in the last years of the company’s existence. […]
I’ve only ever been to Siena in the Autumn—well after the annual summer horse races which have helped make the Medieval city famous. Nevertheless, I couldn’t help being taken with the magnificent, bowl-shaped Piazza del Campo and imagine it packed with spectators, the thunder of horses hooves creating a sense of excitement and danger. […]
In 1748, German businessman François Boch founded a pottery workshop in the duchy (or “dukedom”) of Lorraine, which straddled the French, German, Belgian and Luxembourg borders. His business succeeded and soon Boch opened another factory in Luxembourg, then (in 1801) another one in the Western German village of Metlach—in a former 10th Century Benedictine abbey […]
The crowd rioted—on this day in 1913—at the premier performance of Igor Stravinsky’s “Le Sacre du Printemps” (The Rite of Spring) performed in Paris’s Théâtre des Champs-Élysées. Produced by Russian “Showman Extraordinaire” Sergei Diaghilev, the music proved to be a ground-breaking (and threatening) aural sensation of unconventional rhythm, nauseating dissonance, and traditional Russian folk music. The story […]
Today, Raymor is strongly identified with Italian Mid-Century Modern ceramics. Few people realize, however, that Raymor was actually an American brand name which made products (especially ceramics) in the United States, Scandinavia, Mexico, Germany and Italy. New Yorker Irving Richards (born Rappaport), began his business life in 1926, selling used books in Manhattan. After a […]
In 1839, thirty-one year old Joachim Herman Kähler moved from Northern Germany to Nestved, Denmark where he opened a ceramics manufacturing workshop. For the next thirty-or-so years, Kähler produced practical home and kitchen items, most notably an oil lamp called “the all night burner.” In 1872, his sons, Herman August and Carl Frederick, took-over the […]
“The bird,” in French, is “l’oiseau”—and that is what this French Art Nouveau wine jug is sometimes called in its home country. Made by Pierrefonds in the early Twentieth Century, it possesses the heavily-encrusted crystallization for which this ceramics workshop is well-known. Many a French household would have served table wine in a jug like […]
Gilbert Méténier was a man of artistry and principle. He was born 30 September 1876 and worked in his father, Louis’s, stoneware workshop which had been founded in the 1880’s. These early works were rarely (if ever) marked and not much is known about their production. In the 1920’s—probably around the time of Louis’s death—Gilbert […]
We’ve just received a new collection of French Art Nouveau art pottery, including the piece shown above. Made by Poterie Renault in Argent-sur-Sauldre, France, this piece perfectly captures the contradiction of the best Art Nouveau pottery—a controlled, fulsome form finished with random, dripping abandon. Poterie Renault was founded in 1847 and continues to produce pottery […]
In Asia, Valentine’s Day prompts a woman to give a gift to a man. On White Day (one month later) men return the courtesy. In Korea, today is Black Day—and all those who were “uninvolved” or “unlucky” on the previous two holidays commiserate by eating noodles dressed with black bean sauce. Sorry singles, both males […]
